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SEGAL TALKS: Belarus Free Theatre- Svetlana Sugako & Nicolai Khalezin (Belarus)

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Start:
Mar 23, 2022
End:
Mar 23, 2022
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SEGAL TALKS: UKRAINE ON MY MIND
BELARUS FREE THEATRE: SVETLANA SUGAKO & NICOLAI KHALEZIN (Belarus)

Wednesday, March 23, 2022, 12 noon EDT 

“New Times need new Forms of Theatre.” Bertolt Brecht

Join us for an urgent conversation with Belarusian artists Svetlana Sugako & Nicolai Khalezin about the horrific situation in Ukraine, especially for theatre artists. The Segal Center speaks for the entire New York theatre community in expressing solidarity with Ukrainian artists under siege; signalling outrage about the war crimes committed by Russia’s ongoing illegal invasion into the Ukraine.

Svetlana Sugako studied graphic design then music & choreography at Belarusian National University. She has been involved with BFT Belarus Free Theatre in Minsk since its inception in 2005, and has been running the entire operation in Belarus since the Artistic Directors were forced into exile in 2011. Formally the production manager, Svetlana is an activist, musician, actor and is leading on a new campaign of BFT on LGBTQI rights. Sugar is featured in the book Two Women in Their Time, by photographer Misha Friedman and The New Yorker staff writer Masha Gessen portraying Svetlana Sugako and Nadya Brodskaya as the power couple spearheading the day-to-day activities of the celebrated Belarus Free Theatre in Minsk.​ In August 2020 longtime Belarus President Alexander Lukashenko won the vote to seize his sixth term, despite widespread evidence of vote-rigging. The result sparked the largest protests that Belarus had seen in decades​—as well as an unprecedented level of police brutality. Sugako and Brodskaya both went to the protests, and were quickly arrested. The pair were placed with 34 others in a cell designed for only four. They were also not given water or food for three days. ​Before the protests, the Belarus Free Theatre had been one of the few dissenting voices in the country. Sugako believes that through its 16 years of activity, the theatre played an essential role in keeping Belarus’ critical spirit alive, in turn contributing to recent wave of protests.

Nicolai Khalezin is the co-founding Artistic Director of Belarus Free Theatre (BFT), an award-winning director, playwright, designer, educator, political campaigner and journalist. 

Prior to co-founding BFT in 2005, Nicolai was Editor-in-Chief of the leading social-political weekly newspapers in Belarus – Name, News and Our Freedom – all of which were shut down by the regime.  Khalezin was the owner of the only contemporary art gallery in Minsk, which was also closed down by the authorities. His works were exhibited at the Istanbul Biennale, Milan Expo, in Rome, Berlin and at the Moscow Centre of Contemporary Art. 

Nicolai served time in prison in Belarus for his involvement in political campaigns and was recognised as a Prisoner of Consciousness by Amnesty International. This experience inspired one of BFT’s most celebrated shows, Generation Jeans, an autobiographical duologue about rock music and resistance. Written, directed and performed by Nicolai Khalezin, with live music by DJ Laurel, Generation Jeans has been performed more than 100 times around the world to date, including at the home of President Vaclav Havel upon his invitation in 2008 and at the UK’s House of Commons together with BFT Trustee Jude Law in 2012. 

Further playwriting credits for BFT include Burning DoorsMaster Had A Talking SparrowDiscover LoveTrash CuisineTime of Women, all of which he also directed, and the adaptation of King Learwhich was staged at the Globe to Globe Festival, as part of the London 2012 Cultural Olympiad. Nicolai is the co-founder of BFT’s theatre laboratory, Fortinbras, the only independent arts school in Belarus.

The Segal Talk will be hosted and moderated by Frank Hentschker, Executive Director of The Segal Center.


ABOUT THE SEGAL TALKS
The Segal Theatre Center’s online conversation series SEGAL TALKS was created in March of 2020 after the abrupt closing of the Graduate Center for any kind of public activities due to Corona and the cancellation of the entire spring season. The SEGAL TALKS during The Time of Corona offered conversations on theatre, performance and art during the pandemic featuring with more than 200 theater artists from over 50 countries. New York, US, and international theatre artists, curators, writers, and academics talked daily during the week for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustand— the State of the World. In the summer of 2021 Segal Talks continued to focus on Theatre, Performance and The Political, the Segal Center’s 2023 New York International Festival of the Arts Project and the 2022 Center’s Public Park Project. During the pandemic The Segal Center was for a long period globally the only theatre institution creating new, original, daily content for the global field of theater and performance five days a week. Currently the Center is preparing the 4th edition of the Segal Center’s global Film Festival on Theatre and Performance.

SEGAL TALKS
are free, open access, without ads will be live-streamed in English from Wednesday to Friday on HowlRound Theatre Commons and on the Segal Center Facebook. This program is presented in collaboration with HowlRound Theatre Commons, based at Emerson College. All SEGAL TALKS are archived on HowlRound, and on the Segal Center YouTube Channel.

CONTACT
Send us your questions during the live streaming at SegalTalks@gmail.com.
Contact mest@gc.cuny.edu for more information on SEGAL TALKS.
Contact Frank Hentschker at fhentschker@gc.cuny.edu for press information.
Follow us @segalcenter on Facebook, Instagram or Twitter 

ABOUT THE MARTIN E. SEGAL THEATRE CENTER
Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDE, PEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab Stages, European Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

THE SEGAL TEAM
Executive Director: Frank Hentschker
Associate Producers: Andie Lerner & Tanvi Shah

THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK
, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.

HowlRound Theatre Commons
at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world. HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. http://www.howlround.com

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