Contact Us

Pages

• Martin E. Segal: In Memoriam (1916-2012)
• Events
  • Archive
  • Prelude
  • Program Archive
• Home
  • About Us
    • Visiting Scholars
      • Former Visiting Scholars
  • Board of Directors
  • Contact Us
  • Join Mailing List
  • News
  • Staff
  • Volunteer
• Publications
  • Books
    • A Permanent Parliament: Notes on Social Choreography
    • BAiT: Buenos Aires in Translation
    • Barcelona Plays
    • Comedy
    • Contemporary Theatre in Egypt
    • Czech Plays: Seven New Works
    • Decadent Histories: Four Plays by Amelia Hertz
    • Four Arab Hamlet Plays
    • Four Millennial Plays From Belgium
    • Four Plays from North Africa
    • Four Plays from Syria: Sa‘dallah Wannous
    • Four Works for the Theatre by Hugo Claus
    • Jan Fabre: I Am A Mistake
    • Jan Fabre: The Servant of Beauty
    • New Plays from Italy Vol 1: The Origin of the World
    • New Plays from Italy Vol 2: Three Plays
    • New Plays from Spain
    • Pixérécourt: Four Melodramas
    • Playwrights Before the Fall
    • Quick Change
    • roMANIA after 2000
    • Shakespeare Made French
    • Ten Years PRELUDE
    • The Arab Oedipus: Four Plays
    • The Heirs of Molière
    • The Trilogy of Future Memory
    • Theatre From Medieval Cairo
    • Theatre Research Resources in New York City
    • Timbre 4: Two Plays by Claudio Tolcachir
    • Two Plays: Fleeting Stages
    • Witkiewicz: Seven Plays
    • Zeami and the Nô Theatre in the World
  • Digital Initiatives
  • Journals
    • ES
    • JADT
    • SEEP
  • Order
• Spring 2002 Programs
• Support
• Taylor Mac to Receive 2017 Edwin Booth Award
• The Martin E. Segal Theatre Center