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- Book - Timbre 4: Two Plays by Claudio Tolcachir | The Martin E. Segal Center CUNY
By Claudio Tolcachir, Jean Graham-Jones | Collection of plays from Claudio Tolcachir’s Timbre 4 company based in Buenos Aires, Argentina. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Timbre 4: Two Plays by Claudio Tolcachir Claudio Tolcachir, Jean Graham-Jones Download PDF Claudio Tolcachir’s Timbre 4 is one of the most exciting companies to emerge from Buenos Aires’s vibrant contemporary theatre scene. The Coleman Family Omission and Third Wing, the two plays that put Timbre 4 on the international map, are translated here into English for the first time. Edited by Jean Graham-Jones Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - roMANIA after 2000 | The Martin E. Segal Center CUNY
By Saviana Stanescu, Daniel Gerould. | The first anthology of new Romanian drama published in the United States < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu roMANIA after 2000 Saviana Stanescu, Daniel Gerould. Download PDF Five New Romanian Plays The first anthology of new Romanian drama published in the United States and introduces American readers to compelling playwrights and plays that address resonant issues of a post-totalitarian society on its way toward democracy and a new European identity. Stop The Tempo by Gianina Carbunariu Romania, Kiss Me by Bogdan Georgescu Vitamins by Vera Ion Romania 21 by Stefan Peca Waxing Wet by Saviana Stanescu Edited by Saviana Stanescu and Daniel Gerould. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - New Plays from Italy Vol 2: Three Plays | The Martin E. Segal Center CUNY
By Daria Deflorian, Antonio Tagliarini, Maria Galante, Michele Santeramo, Allison Eikerenkoetter, Jane House, Frank Hentschker | This collection features an anthology of three contemporary plays from Italy. < Back More Information & Order Details To order this publication, please contact us at mestc@gc.cuny.edu or find it on Amazon. New Plays from Italy Vol 2: Three Plays Daria Deflorian, Antonio Tagliarini, Maria Galante, Michele Santeramo, Allison Eikerenkoetter, Jane House, Frank Hentschker Download PDF This collection features an anthology of three contemporary plays from Italy. We Decided to Go Because We Don’t Want to Be a Burden to You by Daria Deflorian & Antonio Tagliarini. Edited by Frank Hentschker. Translated by Maria Galante. “We realized that we are a weight to the state, doctors, pharmacists and society. So we decided we’ll be off, to spare you further worry. You’ll save our four pensions and you’ll live better.” The play takes place in a suburban apartment where the women have just takentheir “sleeping” pills. A reflection on suicide not as an existential act, but as an extreme political act. Is there an altruistic suicide? The Healer by Michele Santeramo Edited by Frank Hentschker. Translated by Allison Eikerenkoetter. A drunken nearly blind old healer, with an intellectual son waiting to surpass him, attempts to heal an injured boxer, a pregnant woman, and a childless couple by bringing them together, making them relate in strange circumstances on a set where doors open and close on mysterious waiting rooms. The Neighbors by Fausto Paravidino Edited by Frank Hentschker. Translated by Jane House. He is alone in the apartment. He hears some footsteps coming from the landing. Trying not to make a sound, he looks through the spyhole. He tells Greta when she comes home that he saw the neighbors. How were they? He cannot tell, seeing is not understanding, but he is scared. Why? Who knows? This is a play about our fears, real and imagined, about ourselves and the other, about neighbors near and far, about war. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Four Millennial Plays From Belgium | The Martin E. Segal Center CUNY
By David Willinger | This anthology captures the tendencies of contemporary European playwriting at the beginning of the new millennium. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Four Millennial Plays From Belgium David Willinger Download PDF This anthology captures the tendencies of contemporary European playwriting at the beginning of the new millennium — focusing on race, inter-continental marriage, the privileges allowed society’s leaders, the resurgence of the Extreme Right, and creative ways of juggling love relationships — presented in a variety of accessible styles. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Four Plays from North Africa | The Martin E. Segal Center CUNY
By Abdelkader Alloula, Jalila Baccar, Fatima Gallaire, Tayeb Saddiki | A collection of dramatic texts from the Maghreb region of Northwest Africa. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Four Plays from North Africa Abdelkader Alloula, Jalila Baccar, Fatima Gallaire, Tayeb Saddiki Download PDF As the rich tradition of modern Arabic theatre has recently begun to be recognized by the Western theatre community, an important area within that tradition is still under-represented in existing anthologies and scholarship, and that is the drama from the Northwest of Africa, the region known in Arabic as the Maghreb. We hope that this first English collection of drama from this region will stimulate further interest in the varied and stimulating theatre begin produced here. It engages, in a fascinating and original way, with such important current issues as the struggle for the rights of women and workers, post-colonial tensions between Maghreb and Europe, and the challenges faced in Europe by immigrants from the Arab world. Plays contained in this collection include: The Veil by Abdelkader Alloula (Algeria) Araberlin by Jalila Baccar (Tunisia) House of Wives by Fatima Gallaire (Algeria) The Folies Berbers by Tayeb Saddiki (Morocco) Edited with an Introduction by Marvin Carlson Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Selected Essays: Plays and Playwrights | The Martin E. Segal Center CUNY
By Nehad Selaiha, Marvin Carlson | A stimulating eyewitness account of modern Egyptian drama by Nehad Selaiha. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Selected Essays: Plays and Playwrights Nehad Selaiha, Marvin Carlson Download PDF At once personal and scholarly, analytical and reflective, The Egyptian Theatre: Plays and Playwrights provides a stimulating eyewitness account of modern Egyptian drama, seen in its relation to Egyptian reality at different historical moments on the one hand, and to the art of making theatre on the other. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Playwrights Before the Fall | The Martin E. Segal Center CUNY
By Daniel Gerould | A unique anthology playwrights from Poland, Slovenia, Hungary, Czechoslovakia, and Romania in the backdrop of rebellion, war and revolution. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Playwrights Before the Fall Daniel Gerould Download PDF Eastern European Drama in Times of REVOLUTION. In this unique anthology playwrights from Poland, Slovenia, Hungary, Czechoslovakia, and Romania examine the moral and psychological dimensions of the transformations taking place in society during the years of transition from totalitarianism to democracy. Written before the fall of the Berlin Wall, the five plays reveal the absurdities of an inflexible system based on belief in abstract ideology that sacrifices the individual to dogma. These authors bear witness to the ravages of communism and to the traumas of its disintegration and lend their voices to the frightened and manipulated whose lives were stunted by entropic regimes. Edited by Daniel Gerould Preface by Dragan Klaić Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Witkiewicz: Seven Plays | The Martin E. Segal Center CUNY
By Stanisław Ignacy Witkiewicz, Daniel Gerould | An English-translation anthology of seven of Witkiewicz’s most important plays. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Witkiewicz: Seven Plays Stanisław Ignacy Witkiewicz, Daniel Gerould Download PDF Translated and Edited by Daniel Gerould This volume contains seven of Witkiewicz’s most important plays: The Pragmatists, Tumor Brainiowicz, Gyubal Wahazar, The Anonymous Work, The Cuttlefish, Dainty Shapes and hairy Apes, and The Beelzebub Sonata, as well as two of his theoretical essays, “Theoretical Introduction” and “A Few Words about the Role of the Actor in the Theatre of Pure Form.” Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Comedy: A Bibliography | The Martin E. Segal Center CUNY
By Meghan Duffy, Daniel Gerould | A bibliography of critical studies in english on the theory and practice of comedy in drama, theatre, and performance. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Comedy: A Bibliography Meghan Duffy, Daniel Gerould Download PDF A Bibliography of Critical Studies in English on the Theory and Practice of Comedy in Drama, Theatre, and Performance “Comedy has been particularly unpropitious to definers,” declared the great dictionary maker Dr. Johnson, and the German novelist and aesthetician Jean Paul quipped, “Definitions of the comic serve the sole purpose of being themselves comic.” Accepting the challenge, the keenest minds have been drawn to the debate about the nature of comedy and attracted to speculation about its theory and practice. For all lovers of comedy, Comedy: A Bibliography is an essential guide and resource, providing authors, titles, and publication data for over a thousand books and articles devoted to this most elusive of genres. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - A Permanent Parliament: Notes on Social Choreography | The Martin E. Segal Center CUNY
By Cory Tamler | An experiment in writing about performance from the conviction that our entire beings (thoughtbodies) make theory and politics. < Back More Information & Order Details Publication date: December 2022 Hardcover, 179 pages, 5.25 x 8.3 inches ISBN: 9781953892072 Design by Rafal Kosakowski Retail price: $25 Published by special arrangement with the Laboratory for Social Choreography To order this book, click here (https://forms.gle/HXqK4N87HDCNbbJE6) or email corytamler@gmail.com . Available for in-person purchase: Unnameable Books and Quimby’s (Brooklyn), b_books (Berlin). A Permanent Parliament: Notes on Social Choreography Cory Tamler Download PDF A work of social choreography. A training ground for the imagination. A psychedelic experience without substances. A technology for cleaning social relations. A proposal for embodied civic duty. A journey into the realer real that gives back to the real—as if it were possible to bring an object from the dream world into waking life. A lifeboat. Over the past decade, at least a thousand people (among them philosophers, office workers, professional dancers, scientists, students, artists, and the author-editor of this book) have participated in Parliament sessions from Athens to NYC. For all its potency, Parliament resists being written about, starting from any attempt to describe what it is. It resists authorship too. Choreographer and artist Michael Kliën prefers to say he discovered it, or wished for it, from within “a felt urgency that things are just not sustainable.” In this book, Parliament writes out of itself. Artist and writer Cory Tamler holds the container, editing together her memories of her own experiences as a participant, excerpts from conversations with Kliën and from his personal archive, theoretical propositions for the way Parliament could go to work in the world, and reflections from other participants in Parliament over the years. An annotated bibliography makes visible the framework of ideas—from art and choreography to systems theory and political theory—within which Parliament sits. This text is an experiment in writing about performance from the conviction that our entire beings (thoughtbodies) make theory and politics. It is meant for readers who, whether familiar or unfamiliar with Parliament, are interested in how the social is formed and in bodies as key agents in its formation. Contributors: Michael Kliën with Catherine Cabeen, Mallory Catlett, Blythe Davis, Barbara Dickinson, Jeffrey Gormly, Floor Grootenhuis, Frank Hentschker, Vitoria Kotsalou, Steve Valk, Shuntaro Yoshida. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Pixérécourt: Four Melodramas | The Martin E. Segal Center CUNY
By Daniel Gerould, Marvin Carlson | A collection of dramas from French theatre director and playwright René-Charles Guilbert de Pixerécourt. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Pixérécourt: Four Melodramas Daniel Gerould, Marvin Carlson Download PDF Translated and Edited by Daniel Gerould and Marvin Carlson This volume contains four of Pixérécourt's most important melodramas: The Ruins of Babylon, or Jafar and Zaida; The Dog of Montargis, or The Forest of Bondy; Christopher Columbus, or the Discovery of the New World; and Alice, or The Scottish Gravediggers. Also included is Charles Nodier 's introduction to the 1843 Collected Edition of Pixérécourt's plays and two theoretical essays by the playwright, "Melodrama," and "Final Reflections on Melodrama." “Pixérécourt furnished the Theatre of Marvels with its most stunning effects, and brought the classic situations of fairground comedy up-to-date. He determined the structure of a popular theatre which was to last through the 19th century… Pixérécourt determined that scenery, music, dance, lighting and the very movements of his actors should no longer be left to chance but made integral parts of his plays.” -Hannah Winter, The Theatre of Marvels Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Zeami and the Nô Theatre in the World | The Martin E. Segal Center CUNY
By Benito Ortolani, Samuel L. Leiter | This volume contains the proceedings of the “Zeami and the Nô Theatre in the World” symposium, held in New York City in October 1997 < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Zeami and the Nô Theatre in the World Benito Ortolani, Samuel L. Leiter Download PDF Edited by Benito Ortolani and Samuel L. Leiter This volume contains the proceedings of the “Zeami and the Nô Theatre in the World” symposium, held in New York City in October 1997, in conjunction with the “Japanese Theatre in the World” exhibit shown at the same time at the Japan Society and, in the spring of 1998, the Villa Stuck in Munich, Germany. The editors, Benito Ortolani and Samuel L. Leiter, both of Brooklyn College and the Graduate Center, CUNY, are internationally recognized scholars of Japanese theatre. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Jan Fabre: The Servant of Beauty | The Martin E. Segal Center CUNY
By Jan Fabre | This volume of monologues is the second collection of works by Jan Fabre for the theatre in an English translation. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Jan Fabre: The Servant of Beauty Jan Fabre Download PDF Seven Monologues for the Theatre Flemish-Dutch theatre artist Jan Fabre is considered one of the most innovative and versatile artists of his day. Over the past twenty-five years, he has produced works as a performance artist, theatre maker, choreographer, opera maker, playwright, and visual artist. This volume of monologues is the second collection of works by Jan Fabre for the theatre in an English translation. Fabre, born in Belgium, is a total theater artist: writer, director, designer, and choreographer. Includes: We need Heroes Now (2010), Little Body on the Wall (1996), The Emperor of Loss (1994), She was and She is, Even (1975), and others. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Szertelen Színdarabok New Yorkból (Riff Raff Plays from New York) | The Martin E. Segal Center CUNY
By Attila Szabó, Frank Hentschker | Hungarian language anthology of five contemporary American theater plays. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Szertelen Színdarabok New Yorkból (Riff Raff Plays from New York) Attila Szabó, Frank Hentschker Download PDF Hungarian politicians cut funding in 2013 for international theatre productions and festivals in Budapest, quoting: “We don’t need these riffraff plays from New York.” As a reaction, the Segal Center published a Hungarian language anthology of five contemporary American theater plays edited by Frank Hentschker and Attila Szabó, translated to Hungarian by Attila Szabó and Noémi Kecskés. The anthology includes: Neighbors by Branden Jackobs-Jenkins, Detroit by Lisa D'Amour, Intermeddlers by Sarah Stites based on Lillian Hellman's The Children's Hour, The Songs of the Dragons Flying to Heaven by Young Jean Lee and Seven American Deaths and Disasters by Kenneth Goldsmith. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Decadent Histories: Four Plays by Amelia Hertz | The Martin E. Segal Center CUNY
By Amelia Hertz, Jadwiga Kosicka | An innovative collection of plays based on bizarre and macabre episodes from history and legend. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Decadent Histories: Four Plays by Amelia Hertz Amelia Hertz, Jadwiga Kosicka Download PDF Translated and Edited by Jadwiga Kosicka Born in 1878, Polish-Jewish playwright Amelia Hertz wrote in the early twentieth century innovative plays based on bizarre and macabre episodes from history and legend. She created a tightly controlled theatre of cruelty-set in decadent periods of ancient history–that confront extreme situations and pose “no exit” ethical and existential dilemmas. Hertz died in the notorious Pawiak Gestapo prison in Warsaw in 1942, a victim of the Nazis. Ysolde of the White Hands, Fleur-de-Lys, The Destruction of Tyre, and A Great King, which make up this volume of Decadent Histories, deal with fin-de-siècle subjects rife with perverse sexuality and violence: the Tristan myth in revisionist guise from a female perspective; the serial child-murderer Gilles de Rais and his young daughter who develops a taste for murder herself; the Prophet Ezekiel as he visits the ruins of Tyre; and the decline of Byzantium under Justinian and his general Belisarius during a time of conspiracies. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - The Art of Assembly | The Martin E. Segal Center CUNY
By Florian Malzacher | A survey of contemporary theatre to demonstrate its political potential in both form and content. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu The Art of Assembly Florian Malzacher Download PDF The Art of Assembly surveys theatre today to demonstrate its political potential in both form and content. Drawing on numerous examples from around the world in performance, visual art, and activist art, curator and author Florian Malzacher examines works that draw on the particular possibilities of theatre to navigate the space between representation and participation, at once playfully and with sincerity. In a time of wide-ranging crisis, The Art of Assembly is a plea for a strong definition of the political and for a theatre that is not content merely to reflect the world’s ills, but instead acts to change them. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Ta’ziyeh - Ten Contemporary Indigenous Plays From Iran | The Martin E. Segal Center CUNY
By M.J. Yousefian Kenari, Marvin Carlson | A collection of the Ta'ziyeh passion play of Iran, one of the world's most elaborate, wide-spread and long-lasting traditions of religious drama. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Ta’ziyeh - Ten Contemporary Indigenous Plays From Iran M.J. Yousefian Kenari, Marvin Carlson Download PDF This present volume presents one of the most important but also much-neglected dramatic traditions of that region, the Ta'ziyeh passion play of Iran, one of the world's most elaborate, wide-spread and long-lasting traditions of religious drama. Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - Jan Fabre: I Am A Mistake | The Martin E. Segal Center CUNY
By Jan Fabre | Seven works from the Flemish-Dutch theatre artist Jan Fabre. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu Jan Fabre: I Am A Mistake Jan Fabre Download PDF Seven Works for the Theatre Flemish-Dutch theatre artist Jan Fabre is considered one of the most innovative and versatile artists of his day. Over the past twenty-five years, he has produced works as a performance artist, theatre maker, choreographer, opera maker, playwright, and visual artist. Fabre, born in Belgium, is a total theater artist: writer, director, designer, and choreographer. “I am a mistake because I have too much desire more compelling even than hunger.” Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Book - New Plays from Italy Volume 3 | The Martin E. Segal Center CUNY
By Valeria Orani, Frank Hentschker | A collection of contemporary Italian plays presented in English. < Back More Information & Order Details To order this publication, visit the TCG Bookstore or Amazon.com. You can also get in touch with us at mestc@gc.cuny.edu New Plays from Italy Volume 3 Valeria Orani, Frank Hentschker Download PDF Italian and American Playwrights Project is curated by Umanism’s Artistic Director Valeria Orani in collaboration with The Martin E. Segal’s Director Frank Hentschker. The project brought together some of the brightest, innovative, and most engaging Italian contemporary playwrights, developing their pieces through translation into English. Italian Playwrights Project restarted an artistic dialogue between Italy and US adding continuity to what had been an on-off relationship between the two countries for the last decades. This book has been translated thanks to a grant by the Italian Ministry of Foreign Affairs and International Cooperation. ELISA CASSERI - EVENT ORIZON (TRANSLATED BY ADRIANA ROSSETTO) Olga is stuck in a studio apartment, she cannot figure out what has happened, she only knows that she cannot escape. When she tries to open one of the doors on the wall, she immediately comes back from another one and continues to stay there. Marco is her boyfriend but sometimes he isn’t, her father is alive but later dead, her mother left when she was a little girl but she is suddenly back. Olga struggles to understand and does not know what reality is and what she can do to change what happened and what didn’t happen. She cannot surrender to the real time, to past events, to those journeys into a grief which is too true to be science fiction. GIULIANA MUSSO - MY HERO (TRANSLATED BY PATRICIA GABORIK) My Hero is made up of three distinct monologues. Three mothers of as many Italian soldiers who took part in the International Security Assistance Force (ISAF) mission in Afghanistan during the years 2008-2010. The three women are very different from each other for social extraction, geographic origin, cultural level and personality, but they share the experience of having a soldier's son. Characters are inspired by existing people and real-life events ARMANDO PIROZZI - A NOTEBOOK FOR WINTER (TRANSLATED BY ADRIANA ROSSETTO) A Notebook for Winter is a two-actor-piece which in three acts and tells the story of an introvert professor of literature who finds a burglar on his way back home. The knife-wielding burglar wants something unexpected from him: it is a question of life or death. FABRIZIO SINISI- THE GREAT WALK (TRANSLATED BY THOMAS SIMPSON ) The president of the International Monetary Fund, Frederic Jean-Paul, is arrested and kept in an anonymous New York police station: he’s accused of sexual violence inflicted on a waitress. His two bizarre jailers, Donald and Frank, have been ordered to guard the prisoner until the following morning, when he will be brought to a safer location. However, things don’t go as planned EDITED BY FRANK HENTSCHKERWITH VALERIA ORANI Explore Other Books To play, press and hold the enter key. To stop, release the enter key. See All Books
- Revolutions in Performance and Theatre / History Now
Maya Roth Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 35 2 Visit Journal Homepage Revolutions in Performance and Theatre / History Now Maya Roth By Published on April 27, 2023 Download Article as PDF Maya Roth, Editor Feeling the Future at Christian End-Time Performances By Jill Stevenson Reviewed by Rob Silverman Ascher Aural/Oral Dramaturgies: Theatre in the Digital Age By Duška Radosavljević Reviewed by M. Landon Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre By Cecilia Josephine Aragόn Reviewed by Jeanne Klein Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times Edited by Kendra Capece and Patrick Scorese Reviewed by Ansley Valentine The Cambridge Companion to American Theatre Since 1945 Edited by Julia Listengarten and Stephen Di Benedetto Reviewed by Clay Sanderson Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past By Ariel Nereson Reviewed by Jada M. Campbell Books Received The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre Center References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue Aural/Oral Dramaturgies: Theatre in the Digital Age México (Expropriated): Reappropriation and Rechoreography of Ballet Folklórico Making Up for Lost Time: New Play Development in Academia Post COVID 19 The Heart/Roots Project and a Pandemic Pivot Effing Robots Online: The Digital Dramaturgy of Translating In-Person Theatre to Online Streaming From Safe to Brave—Developing A Model for Interrogating Race, Racism and the Black Lives Matter Movement Using Devised Theater How to Make a Site-Specific Theatrical Homage to a Film Icon Without Drowning in Your Ocean of Consciousness; or, The Saga of Red Lodge, Montana Meet Me Where I Am: New Play Dispatches from the DC Area Playing Global (re)Entry: Migration, Surveillance, and Digital Artmaking The Front Porch Plays: Socially-Distanced, Covid-Safe, Micro-Theatre (Re)Generation: Creating Situational Urban Theatre During COVID and Beyond Emergent Strategy Abolitionist Pedagogy in Pandemic Time Chevruta Partnership and the Playwright/Dramaturg Relationship Feeling the Future at Christian End-Time Performances Revolutions in Performance and Theatre / History Now Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past The Cambridge Companion to American Theatre Since 1945: Edited by Julia Listengarten and Stephen Di Benedetto. Cambridge: Cambridge University Press, 2021; Pp. 273. Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times: Edited by Kendra Capece, Patrick Scorese. New York: Routledge, 2023; Pp. 188 Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre Sarah Gancher and Jared Mezzocchi : How Collaboration is Dramaturgy Between Playwright and Multimedia Creator Starting with the Space: An Interview with Patrick Gabridge Reviving Feminist Archives: An Interview with Leigh Fondakowski Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.
- Fecund Error at PRELUDE 2023 - Martin E. Segal Theater Center CUNY
Fecund Error is a spoken word choral music-theater piece constructed according to a procedure of repeated mistranslations of an invented hieroglyphic alphabet. The play embodies a process of trying to speak and think that which is unspeakable and unthinkable. It is an invitation to deep listening, a ritual of unknowing. PRELUDE Festival 2023 PERFORMANCE Fecund Error Ashley Kelly Tata, Jerry Lieblich, Robert M. Johanson Theater, Multimedia, Opera, Music, Choral English 20 Mins + Chat 4:30PM EST Saturday, October 21, 2023 The Tank, West 36th Street, New York, NY, USA Free Entry, Open To All Fecund Error is a spoken word choral music-theater piece constructed according to a procedure of repeated mistranslations of an invented hieroglyphic alphabet. The play embodies a process of trying to speak and think that which is unspeakable and unthinkable. It is an invitation to deep listening, a ritual of unknowing. Content / Trigger Description: Language may break down. Pictures may be language. Gesture may be implemented. Ashley Kelly Tata (they/ze/she/tata) makes multi-media works of theater, contemporary opera, performance, cyberformance, live music and immersive experiences. They have been called“fervently inventive,” by Ben Brantley in the New York Times, “extraordinarily powerful” by the LA Times, like something that “reaches out across the centuries and punches you in the throat” by Alexis Soloski in the New York Times and Tata’s production of Kate Soper’s Ipsa Dixit was named a notable production of the decade by Alex Ross in The New Yorker. These works have been presented in venues and festivals throughout the US and internationally including at Theatre for a New Audience, Ars Nova, PS21, LA Opera, Austin Opera, The Miller Theater, National Sawdust, EMPAC, BPAC, The Crossing the Line Festival, the Holland Festival, The Big Ears Festival, The Big Sing Festival, The Prelude Festival, The National Centre for the Performing Arts in Beijing, and the Fisher Center’s Summerscape Festival at Bard. Tata is currently Visiting Assistant Professor of Theater & Performance and Artistic Producer of Theater & Performance at Bard College, NY. Jerry Lieblich (they/them) is the founder and lead artist of Third Ear. Their plays include D Deb Debbie Deborah (Clubbed Thumb – Critic’s Pick: NY Times, TimeOut NY), Tongue Depressor (The Public Theatre, Brooklyn College), Everything for Dawn (Experiments in Opera), Nostalgia is a Mild Form of Grief (Playwrights Horizons, Vineyard Theater), Ghost Stories (Cloud City - Critic’s Pick: TimeOut NY), Your Hair Looked Great (Abrons Arts Center), and The Barbarians (New York Theatre Workshop, Dixon Place, PRELUDE), and A Discourse on the Method… (Ensemble Studio Theatre). Their poetry has appeared Foglifter, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Jerry has held residencies at MacDowell, Mass MOCA, Blue Mountain Center, SPACE on Ryder Farm, Millay Arts, UCROSS, NACL, and the Edward F. Albee Foundation. They have received a Martha Boschen Porter Fund Fellowship, Wallis Annenberg Helix Fellowship from Yiddishkayt, EST/Sloan Commission and the Himan Brown Creative Writing Award (twice), and are an alum of the Soho Rep Writer/Director Lab, Page 73's I-73 Writer's Group, and Pipeline Theater’s Playlab group. BA: Yale, Philosophy; MFA: Brooklyn College (Mac Wellman and Erin Courtney, chief instigators). Robert M. Johanson is a freelance performer/composer/director in New York City. He is a founding member of Nature Theater of Oklahoma, and has performed with them in No Dice, Poetics: a Ballet Brut, Romeo and Juliet, No President, and composed music for and performed in their epic cycle Life and Times: Episodes 1-9, and Burt Turrido: an Opera. Robert has created and composed his own pieces in collaboration with both students and professionals including Life is Hard with Von Krahl Theater and The Loon with Witness Relocation. He has worked with many companies in New York City and abroad including: Elevator Repair Service, 7 Daughters of Eve, Radiohole, The Civilians, Jim Findlay, Morgan Green, Lithuanian National Drama Theatre, and Spreafico Eckly. He is a frequent guest teacher at the Norwegian Theatre Academy, and has given workshops and master classes at Rutgers, Columbia University and MIT. www.tatatime.live ; www.thirdear.nyc ; www.robertmjohanson.com Watch Recording Explore more performances, talks and discussions at PRELUDE 2023 See What's on




















