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Journal of American Drama and Theatre (JADT)

JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. 

ISSN Number: 2376-4236

Entries under this journal are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

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Curren Issue

Current Issue

Volume 38 Issue 1

EDITORIAL

Introduction

Benjamin Gillespie and Bess Rowen

ARTICLE

Fat Suits and Fat Futures: Ob*sity Drag in The Whale

Teya Juarez

ARTICLE

“The Star of the Aggregation”: Maggie Calloway’s Performances of Aggregation and Pleasure in Colonial Manila and British Malaya

Jewel Pereyra

ARTICLE

What’s at Stake? Sustaining DEIJ in U.S. Theatre

Heather S. Nathans, Javier Hurtado, Benny Sato Ambush, Henry Bial, Kristoffer Diaz, Kim Marra, Harvey Young

QUEER VOICES

"The Gift That Keeps on Giving": An Interview with Carmelita Tropicana

Alex Ferrone

QUEER VOICES

Saying The F Word: A Conversation with Jordan Tannahill

Benjamin Gillespie

QUEER VOICES

Staging Intimacy and Paradox through a Queer Lens: A Conversation with Jen Silverman

Jen-Scott Mobley and Maya E. Roth

BOOK REVIEW

Decentered Playwriting: Alternative Techniques for the Stage. Edited by Carolyn M. Dunn, Eric Micha Holmes, and Les Hunter. New York: Routledge, 2024; Pp. 212.

Lauren Friesen

BOOK REVIEW

Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research. Ben Spatz. Evanston: Northwestern University Press, 2024; Pp. 314.

Henry Bial

BOOK REVIEW

Bloody Tyrants & Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century. Marlis Schweitzer. Iowa City: University of Iowa Press, 2020; Pp. 276.

Eileen Curley

BOOK REVIEW

Redface: Race, Performance, and Indigeneity. Bethany Hughes. New York: New York University Press, 2024; Pp. 272.

Sierra Rosetta

PERFORMANCE REVIEW

The Brothers Size

Isaiah Matthew Wooden

PERFORMANCE REVIEW

Dead Outlaw

Elliot Lee

PERFORMANCE REVIEW

2025 Oregon Shakespeare Festival

Lindsey Mantoan

PERFORMANCE REVIEW

ZAZ

William DeVito, Juanita Mejia Restrepo, M. Nance, Robert Pike, and Rufus ZaeJoDaeus

NEW ENGLAND THEATRE IN REVIEW

Introduction: New England Theatre in Review 2.0

Martha S. LoMonaco, Editor, New England Theatre in Review

NEW ENGLAND THEATRE IN REVIEW

Greater Boston’s Independent Theatres, 2024-25

Paul E. Fallon

NEW ENGLAND THEATRE IN REVIEW

Politics Take Center Stage in the Berkshires, 2024-25

Steven Otfinoski

NEW ENGLAND THEATRE IN REVIEW

Long Wharf Theatre, 2024-25

Karl G. Ruling

Curren Issue

Current Issue

Introduction

Introduction

What’s at Stake? Sustaining DEIJ in U.S. Theatre

What’s at Stake? Sustaining DEIJ in U.S. Theatre

Staging Intimacy and Paradox through a Queer Lens:  A Conversation with Jen Silverman

Staging Intimacy and Paradox through a Queer Lens: A Conversation with Jen Silverman

Bloody Tyrants & Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century. Marlis Schweitzer. Iowa City: University of Iowa Press, 2020; Pp. 276.

Bloody Tyrants & Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century. Marlis Schweitzer. Iowa City: University of Iowa Press, 2020; Pp. 276.

Dead Outlaw

Dead Outlaw

Introduction: New England Theatre in Review 2.0

Introduction: New England Theatre in Review 2.0

Long Wharf Theatre, 2024-25

Long Wharf Theatre, 2024-25

Fat Suits and Fat Futures: Ob*sity Drag in The Whale

Fat Suits and Fat Futures: Ob*sity Drag in The Whale

"The Gift That Keeps on Giving": An Interview with Carmelita Tropicana

"The Gift That Keeps on Giving": An Interview with Carmelita Tropicana

Decentered Playwriting: Alternative Techniques for the Stage. Edited by Carolyn M. Dunn, Eric Micha Holmes, and Les Hunter. New York: Routledge, 2024; Pp. 212.

Decentered Playwriting: Alternative Techniques for the Stage. Edited by Carolyn M. Dunn, Eric Micha Holmes, and Les Hunter. New York: Routledge, 2024; Pp. 212.

Redface: Race, Performance, and Indigeneity. Bethany Hughes. New York: New York University Press, 2024; Pp. 272.

Redface: Race, Performance, and Indigeneity. Bethany Hughes. New York: New York University Press, 2024; Pp. 272.

2025 Oregon Shakespeare Festival

2025 Oregon Shakespeare Festival

Greater Boston’s Independent Theatres, 2024-25

Greater Boston’s Independent Theatres, 2024-25

“The Star of the Aggregation”: Maggie Calloway’s Performances of Aggregation and Pleasure in Colonial Manila and British Malaya

“The Star of the Aggregation”: Maggie Calloway’s Performances of Aggregation and Pleasure in Colonial Manila and British Malaya

Saying The F Word: A Conversation with Jordan Tannahill

Saying The F Word: A Conversation with Jordan Tannahill

Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research. Ben Spatz. Evanston: Northwestern University Press, 2024; Pp. 314.

Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research. Ben Spatz. Evanston: Northwestern University Press, 2024; Pp. 314.

The Brothers Size

The Brothers Size

ZAZ

ZAZ

Politics Take Center Stage in the Berkshires, 2024-25

Politics Take Center Stage in the Berkshires, 2024-25

Past Issue

Archive

We are in the process of moving all past journal entries to the current websiite. Please bear with us as we make this transition. You can view all the past issues at www.jadt.commons.gc.cuny.edu.
 
For any queries or clarifications, write to us at jadtjournal@gmail.com

Jan 26, 2026

Volume

Issue

38

1

2025 Oregon Shakespeare Festival

Lindsey Mantoan

Jan 26, 2026

Volume

Issue

38

1

Fat Suits and Fat Futures: Ob*sity Drag in The Whale

Teya Juarez

Jan 26, 2026

Volume

Issue

38

1

The Brothers Size

Isaiah Matthew Wooden

Jan 26, 2026

Volume

Issue

38

1

ZAZ

William DeVito, Juanita Mejia Restrepo, M. Nance, Robert Pike, and Rufus ZaeJoDaeus

Jan 26, 2026

Volume

Issue

38

1

Redface: Race, Performance, and Indigeneity. Bethany Hughes. New York: New York University Press, 2024; Pp. 272.

Sierra Rosetta

Jan 26, 2026

Volume

Issue

38

1

Bloody Tyrants & Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century. Marlis Schweitzer. Iowa City: University of Iowa Press, 2020; Pp. 276.

Eileen Curley

Jan 26, 2026

Volume

Issue

38

1

Decentered Playwriting: Alternative Techniques for the Stage. Edited by Carolyn M. Dunn, Eric Micha Holmes, and Les Hunter. New York: Routledge, 2024; Pp. 212.

Lauren Friesen

Jan 26, 2026

Volume

Issue

38

1

Long Wharf Theatre, 2024-25

Karl G. Ruling

Jan 26, 2026

Volume

Issue

38

1

"The Gift That Keeps on Giving": An Interview with Carmelita Tropicana

Alex Ferrone

Jan 26, 2026

Volume

Issue

38

1

Greater Boston’s Independent Theatres, 2024-25

Paul E. Fallon

Jan 26, 2026

Volume

Issue

38

1

What’s at Stake? Sustaining DEIJ in U.S. Theatre

Heather S. Nathans, Javier Hurtado, Benny Sato Ambush, Henry Bial, Kristoffer Diaz, Kim Marra, Harvey Young

Jan 26, 2026

Volume

Issue

38

1

Introduction

Benjamin Gillespie and Bess Rowen

About & Submission Guideline

About The Journal

History and Mission

 

Founded in 1989, JADT is a widely acclaimed peer-reviewed journal publishing thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas—past and present. The journal’s provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. JADT is fully online and freely accessible. 

 

Our aim is to promote research on theatre of the Americas and to encourage historical and theoretical approaches to plays, playwrights, performances, and popular theatre traditions. Studies of dramatic texts from a purely literary perspective are outside the scope of the journal. 

“I see American Drama and Theatre as a primary means of reflecting the excitement and progress of our language, our culture, our democracy, our social concerns and our historical roots as Americans. No better opportunity exists for understanding, or for contributing to our understanding, of our American world, past or present, than the Journal of American Drama and Theatre, as shown by the excellence of its past performance and the promise of its future.”

– Walter Meserve

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Submission Guidelines
 

The editors of the Journal of American Drama and Theatre (JADT) are now accepting submissions for essays on any topics relating to theatre, drama, and popular entertainments of the Americas for consideration. Please submit completed manuscripts to jadtjournal@gmail.com. We accept submission on a rolling basis. Please email the editors with any inquiries. 

 

Article manuscripts should be 5,000 to 8,000 words in length and prepared in conformity with the Chicago Manual of Style using manual endnotes. Completed manuscripts should be submitted as Microsoft Word attachments via e-mail to jadtjournal@gmail.com. Articles will be peer reviewed, so please allow 3-4 months for a decision. If you are submitting images, please provide the images and captions with your submission. (Please Note: Images should be at least 300dpi and authors are responsible for securing permissions prior to submission). Please include a short bio with your submission. 

Performance Reviews

JADT publishes performance reviews on theatre, drama, and performance in the Americas. Single reviews are usually 800 to 1,200 words in length. We encourage authors to contact the editor in advance to propose a review at jadtperformancereviews@gmail.com


Book Reviews

JADT publishes book reviews of monographs published within the last three years. This list of recommended and nominated titles for review is refreshed annually. Reviews are usually 800 to 1000 words for a single review. To propose a book review in advance, please contact the editor at jadtbookreviews@gmail.com.

Click here for the complete JADT Style Guide

People

Editorial Board

Benjamin Gillespie, Bess Rowen

Co-Editors

Stephanie Lim

Book Review Editor

 

Jennifer Joan Thompson

Performance Review Editor

Jordan Hardesty, Rani O'Brien

Journal Assistants

Vera Mowry Roberts, Walter Meserve

Founding Editors

Martin E. Segal Theatre Center

Marvin Carlson

Director of Publications

Frank Hentschker

Executive Director

Gaurav Singh Nijjer

Digital and Web Coordinator

Advisory Board

Michael Y. Bennett
Kevin Byrne
Tracey Elaine Chessum
Bill Demastes
Stuart Hecht
Jorge Huerta
Amy E. Hughes
David Krasner
Esther Kim Lee
Kim Marra
Ariel Nereson
Beth Osborne
Jordan Schildcrout
Robert Vorlicky
Maurya Wickstrom

James F. Wilson
Stacy Wolf

Contact

Email 

© 2025

Martin E. Segal Theatre Center, The CUNY Graduate Center

365 Fifth Avenue, New York, NY 10016-4309 | ph: 212-817-1860 | mestc@gc.cuny.edu

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