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Watch Chinoiserie Redux by Ping Chong at the Segal Film Festival on Theatre and Performance 2024. Chinoiserie Redux is a multi media film by Ping Chong with historic arc touching on first encounter between Qianlong, the Celestial Emperor of China and Lord George Macartney, the trade emissary from King George III of England in 1793 and West relations including the events leading up to the Opium War, the European obsession and addiction to tea, the history of Chinese settlers in America, the murder of Vincent Chin in Detroit in 1982 and the continuing trade disputes between China and America. Chinoiserie Redux is inspired by Ping Chong’s earlier theatrical work of the same name. Chinoiserie Redux connects the present day and the personal with an historical past still being felt today. The Martin E. Segal Theater Center presents Chinoiserie Redux At the Segal Theatre Film and Performance Festival 2024 A film by Ping Chong Theater, Documentary, Film, Multimedia, Performance Art, Puppetry This film will be available to watch online on the festival website May 16th onwards for 3 weeks, as well as screened in-person on May 20th. About The Film Country United States Language English Running Time 78 minutes Year of Release 2023 Chinoiserie Redux is a multi media film by Ping Chong with historic arc touching on first encounter between Qianlong, the Celestial Emperor of China and Lord George Macartney, the trade emissary from King George III of England in 1793 and West relations including the events leading up to the Opium War, the European obsession and addiction to tea, the history of Chinese settlers in America, the murder of Vincent Chin in Detroit in 1982 and the continuing trade disputes between China and America. Chinoiserie Redux is inspired by Ping Chong’s earlier theatrical work of the same name. Chinoiserie Redux connects the present day and the personal with an historical past still being felt today. Conceived and Directed by Ping Chong; Written by Ping Chong and Michael Matthews; Assistant Director, Cinematographer, Editor, and Production Coordinator Kristina Varshavskaya; Costume Design Stefani Mar; Lighting Design Hao Bai; Sound Design Ernesto Valenzuela; Make-up Artist and Design Amanda Briskin-Wallace; Production Assistant Destiny Castro ;Shadow Puppet Creators Stephen Kaplin and Kuang-Yu; Animators Zakaria Khafagy and Jaime Sunwoo; Cast: Ping Chong, Christopher Caines, Hyunmin Rhee, Wale Adebiyi (Voice Over), Amaris Harney, Richard Chang, Valois Mickens, George Drance, Monique Holt Produced by Ping Chong and Company About The Artist(s) Ping Chong (Director) is an internationally acclaimed interdisciplinary artist, and founder and Artistic Director Emeritus of Ping Chong and Company in New York City. In his over 50-year career, he has created over 100 major works for the stage, as well as video and visual arts installations. He is the recipient of two BESSIE awards, a Doris Duke Performing Artist Award, a Ford Foundation Art of Change Fellowship, and the National Medal of Arts. In 2023, he received an OBIE award, his third, for Lifetime Achievement. Ping Chong and Company (Producer) creates theater and art that reveal beauty, invention, precision, and a commitment to social justice. Originally founded in New York City in 1975, today the company is a highly adaptive and supportive home base for multigenerational, interdisciplinary artists with generative theater practices. The company creates original interdisciplinary, community-specific work; and cultivates artistry through training and education programs. Get in touch with the artist(s) info@pingchong.org and follow them on social media www.pingchong.org @pingchongco (FB, Twitter, IG) Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch My virtual body and my double by Simon Senn / Bruno Deville at the Segal Film Festival on Theatre and Performance 2024. In the style of a digital conference, Mon corps virtuel et mon double (My virtual body and my double) plunges us into the testimony of the artist Simon Senn who has the disturbing experience of embodying the digital replica of a female body thanks to virtual reality. Together with programmer Tammara Leites, he also creates an artificial intelligence powered by his own personal data and capable of writing. A film that reveals the unexpected entanglement between technology and human beings. The Martin E. Segal Theater Center presents My virtual body and my double At the Segal Theatre Film and Performance Festival 2024 A film by Simon Senn / Bruno Deville Theater This film will be available to watch online May 16th onwards for 3 weeks. About The Film Country Switzerland Language French, with subtitles in German & English Running Time 55 minutes Year of Release 2022 In the style of a digital conference, Mon corps virtuel et mon double (My virtual body and my double) plunges us into the testimony of the artist Simon Senn who has the disturbing experience of embodying the digital replica of a female body thanks to virtual reality. Together with programmer Tammara Leites, he also creates an artificial intelligence powered by his own personal data and capable of writing. A film that reveals the unexpected entanglement between technology and human beings. Film director : Bruno Deville Production : Bastien Genoux Coproduction : Detours Films, RTS Radio Télévision Suisse, Théâtre Vidy-Lausanne, Compagnie Simon Senn With the support of : Fonds DE LA SCENE A L’ECRAN Partnership : TV5Monde. Based on the performances by Simon Senn About The Artist(s) Simon Senn is a Swiss artist. He works primarily with video and performance, exploring the effects of technology on human relationships. Bruno Deville, director and screenwriter, was born in 1976 in Ottignies, Belgium. Joint Swiss and Belgian citizenship. 1992 Receives degree from the Academy of Fine Arts in Wavre. 1995-2000 Attends ECAL (École Cantonale d'Art de Lausanne). 2000 Receives degree in directing from ECAL. 2004 Cofounder of Le Flair production company in Lausanne. Detours Film : Detours Films is a cinematographic approach to apprehending reality, soaking up life trajectories, questioning the political positioning of the contemporary world, or flirting with movement and matter. Words and encounters are the keystones of this visual, often documentary, approach. It's a way of highlighting the inner worlds of people who are atypical or at odds with established norms. Get in touch with the artist(s) a.luthier@vidy.ch , bastien.genoux@detoursfilms.ch and follow them on social media Simon Senn : http://www.simonsenn.com Detours Film : https://www.detoursfilms.ch Théâtre Vidy-Lausanne : https://vidy.ch/fr/production/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch next...II (Mali/Island) by Janne Gregor at the Segal Film Festival on Theatre and Performance 2024. In the film project next...II (Mali/Iceland) two dance artists in the diaspora enter into a dialogue through performative video letters; Charmene Pang and Kettly Noël. Kettly Noël, a Haitian, has built one of the most important dance centers in West Africa for over 20 years in Bamako. Charmene Pang, born in Geneva and raised in her Hong Kong family, dances in Erna Ómarsdóttir's company in Reykjavík. For both of them, drastic changes in their lives are imminent, which they discuss artistically. Their stories are always closely related to the continent on which they currently live, its landscapes, soil, layers of earth and climatic conditions, which could hardly be more different: One country shrinking, the other expanding - Earth plates drifting apart and the desert displacing. Movement, change of place and isolation. What does this mean for them and their relationship to the ground on which they move? What for their work as artists? What does the soil reveal about the land and what does it say about its culture? And what structures do they offer to find each other in dance in a digital exchange across continents? The Martin E. Segal Theater Center presents next...II (Mali/Island) At the Segal Theatre Film and Performance Festival 2024 A film by Janne Gregor Dance, Documentary, Performance Art, Other This film will be available to watch online on the festival website May 16th onwards for 3 weeks, as well as screened in-person on May 20th. About The Film Country Island, Mali, Germany Language English, French, Bambara Running Time 50 minutes Year of Release 2022 In the film project next...II (Mali/Iceland) two dance artists in the diaspora enter into a dialogue through performative video letters; Charmene Pang and Kettly Noël. Kettly Noël, a Haitian, has built one of the most important dance centers in West Africa for over 20 years in Bamako. Charmene Pang, born in Geneva and raised in her Hong Kong family, dances in Erna Ómarsdóttir's company in Reykjavík. For both of them, drastic changes in their lives are imminent, which they discuss artistically. Their stories are always closely related to the continent on which they currently live, its landscapes, soil, layers of earth and climatic conditions, which could hardly be more different: One country shrinking, the other expanding - Earth plates drifting apart and the desert displacing. Movement, change of place and isolation. What does this mean for them and their relationship to the ground on which they move? What for their work as artists? What does the soil reveal about the land and what does it say about its culture? And what structures do they offer to find each other in dance in a digital exchange across continents? Credits Artistic Direction: Janne Gregor, Artist Bamako: Kettly Noël, Artist Iceland: Charmene Pang, Camera Bamako: Salimata Tapily, Camera Iceland: Omra Harding, Music: Moritz Thorbeckebased on the song „Vex“ by Sigrún including Ngomi tracks played by Yacouba Sissoko and voice tracks by Sigrún, Editor + Advice: Lutz Gregor, Production: Sina Kießling, Iceland location scout: Dísa Hulda Árnadóttir, Revision Subtitles: Anke Nehrig, Nora Amin Thanks to Thomas Schaupp, Arnbjörg María Danielsen, Nah Kamaké, Erna Ómarsdóttir, Oumou Diarra, Nassiga Coulibaly dit Coumba, Kolo Traoré dit Tènin, Mariam M. Traoré, Mariam K. Traoré, Fatoumata Traoré, Maminata Traoré, Yaya Traoré, Boubacar Gakou, Djelika dit Mama Traoré, Amberscript, Anti Logic Mastering. Research Phase 2021/ 22: Created in the context of GOETHE MORPH* ICELAND, with the support of the Goethe-Institut. Project Realisation 2022: Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Minister of State for Culture and Media within the framework of the initiative NEUSTART KULTUR. Assistance Program for Dance. About The Artist(s) Janne Gregor born in Berlin, is a choreographer, performer and was a team member of the steering group of the dance mediation centre Berlin. She studied physical theatre and completed her MA Choreography at the Hochschulübergreifendes Zentrum Tanz Berlin – HZT in 2017. Her intergenerational and interdisciplinary works have been shown at various theatres since 2006: e.g. Nordic House Reykjavík/Iceland, Radialsystem, TD Berlin, Donko Seko Bamako/Mali, Houseclub des Hebbel am Ufer – HAU Berlin, LOFFT Leipzig, Junges Staatstheater Braunschweig…, Junges DT/Deutsches Theater, Schwankhalle Bremen, Fringe Festival/Ruhrfestspiele Recklinghausen, Orangerie Köln, Tanzfabrik, Tanzkomplizen, Theater o.N., Uferstudios Berlin. As a performer she has worked with, among others: Marina Abramovic, Joan Jonas, Micha Purucker, Willi Dorner, Kiriakos Hadjiioannou, Michael Vogel (Familie Flöz), Theater Duisburg, Theater Strahl Berlin, Consol Theater Gelsenkirchen, Jule Gruner (Schauspiel Dortmund). Get in touch with the artist(s) mail@jannegregor.de and follow them on social media www.jannegregor.de Facebook: Janne Gregor Instagram: Janne Gregor Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Schlingensief – A Voice that Shook the Silence by Bettina Böhler at the Segal Film Festival on Theatre and Performance 2024. SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE focuses on Christoph Schlingensief as a “family person” (Schlingensief on Schlingensief) who dealt equally with his relationship to his parents and his relationship to Germany in his work. The film traces his development from pubescent filmmaker with an artistic bloodlust to revolutionary stage director in Berlin and Bayreuth, and, ultimately, to Germany’s “national artist”, who was purportedly venerated by all and invited to create the German Pavilion for the 2011 Venice Biennale. SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE explores Schlingensief’s untiring, and ultimately inexhaustible, love-hate relationship to Germany, to its high culture, and to its petite-bourgeoisie sentiments – which he attributed to himself more than anyone else – via scenes of East Germans being made into sausage, shouts of “Kill Helmut Kohl!” (documenta X) and an attempt to rehabilitate Wagner (PARSIFAL). The Martin E. Segal Theater Center presents Schlingensief – A Voice that Shook the Silence At the Segal Theatre Film and Performance Festival 2024 A film by Bettina Böhler Theater, Documentary, Film, Multimedia, Opera, Performance Art This film will be screened in-person on May 18th and also be available to watch online May 16th onwards for 3 weeks. About The Film Country Germany Language German with English subtitles Running Time 122 minutes Year of Release 2020 SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE focuses on Christoph Schlingensief as a “family person” (Schlingensief on Schlingensief) who dealt equally with his relationship to his parents and his relationship to Germany in his work. The film traces his development from pubescent filmmaker with an artistic bloodlust to revolutionary stage director in Berlin and Bayreuth, and, ultimately, to Germany’s “national artist”, who was purportedly venerated by all and invited to create the German Pavilion for the 2011 Venice Biennale. SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE explores Schlingensief’s untiring, and ultimately inexhaustible, love-hate relationship to Germany, to its high culture, and to its petite-bourgeoisie sentiments – which he attributed to himself more than anyone else – via scenes of East Germans being made into sausage, shouts of “Kill Helmut Kohl!” (documenta X) and an attempt to rehabilitate Wagner (PARSIFAL). Director, Screenplay, Editor: Bettina Böhler / With: Christoph Schlingensief, Margit Carstensen, Irm Hermann, Volker Spengler, Alfred Edel, Udo Kier, Sophie Rois, Bernhard Schütz, Kerstin Grassmann, Helge Schneider, Dietrich Kuhlbrodt, Susanne Bredehöft, Tilda Swinton, Artur Albrecht, Achim von Paczenzky, Helga Stöwhase, Sebastian Rudolph a.o. / Script Counselling: Angelina Maccarone / Research and Assistant: Lydia Anemüller / Sound Design: Daniel Iribarren / Sound Mixer: Adrian Baumeister / Producer: Frieder Schlaich, Irene von Alberti / Produced by Filmgalerie 451 / In Coproduction with Rundfunk Berlin-Brandenburg (Rolf Bergmann) und Westdeutscher Rundfunk (Jutta Krug) / Founded by Die Beauftragte der Bundesregierung für Kultur und Medien, Medienboard Berlin-Brandenburg, Film- und Medienstiftung NRW, Deutscher Filmförderfonds About The Artist(s) BETTINA BÖHLER was born in Freiburg in 1960 and is one of Germany's premier film editors. She has edited over 80 feature films, documentaries and TV movies and has worked with Christian Petzold, Valeska Grisebach and other filmmakers of the Berlin School. She also has also long been associated with influential directors such as Christoph Schlingensief, Angelina Maccarone, Oskar Roehler and Margarethe von Trotta. She started her career in film at the age of 18 as an assistant editor and has been an editor since 1985. In 2007 Bettina Böhler was awarded the Bremer Filmpreis for Lifetime Achievement in European Cinema ("Bremen Film Award"). She was nominated for the Deutscher Filmpreis for Best Film Editing twice: in 2012 for her work on BARBARA (Christian Petzold) and in 2017 for WILD (Nicolette Krebitz). Bettina Böhler lectured at the Deutsche Film- und Fernsehakademie Berlin (DFFB). She is a member of the European Film Academy, the Akademie der Künste in Berlin and the Academy of Motion Picture Arts and Sciences. Get in touch with the artist(s) kino@filmgalerie451.de and follow them on social media https://www.filmgalerie451.de/en/films/schlingensief-voice-shook-the-silence# Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Genocide and Movements by Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar at the Segal Film Festival on Theatre and Performance 2024. The setting up of a solo performance, the outbreak of revolt, the collective clamor of the marches. Art, organization and rage against the genocide of black people. An audiovisual manifesto recorded between 2008 and 2016, in the two cities with the greatest black presence in Brazil The Martin E. Segal Theater Center presents Genocide and Movements At the Segal Theatre Film and Performance Festival 2024 A film by Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Discussion, Documentary, Performance Art This film will be screened in-person on May 17th. About The Film Country Brazil Language Portuguese Running Time 60 minutes Year of Release 2021 The setting up of a solo performance, the outbreak of revolt, the collective clamor of the marches. Art, organization and rage against the genocide of black people. An audiovisual manifesto recorded between 2008 and 2016, in the two cities with the greatest black presence in Brazil CAST/PEOPLE INTERVIEWED: Gustavo Melo Cerqueira Ágatha Oliveira Rodrigo dos Santos Luis Carlos de Alencar Hilton Cobra Joel Zito Araújo Val Da Mata Lio Nzumbi Hamilton Borges dos Santos Angelo Flávio Vilma Reis Onisajé Syrup Jesiel Oliveira Fred Aganju Caroline Amanda Borges Andreia Beatriz dos Santos Christen A. Smith Antonio Borgens /// Directors: Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Solo performance: Gustavo Melo Cerqueira Screenplay: Luis Carlos de Alencar and Ricardo Gomes Production: Couro de Rato Executive producer: Vladimir Seixas Photography: Marcel Gonnet Wainmayer Camera: Igor Caiê do Amaral Consulting: Lena Azevedo and Sandra Carvalho Editing: Ricardo Gomes Direct sound: Couro de Rato Assistant director: Aline Frey, Gláucia Marinho and Patrícia Freitas Graphic arts and videography: Couro de Rato Poster art: Maia Moon Sound design, mixing and original soundtrack: Thiago Sobral Original music: film REAJA - DJ GUG Declamation: Cíntia Guedes Artistic supervision: Marcel Gonnet Wainmayer Body Preparation: Agatha Oliveira Collaboration: Rodrigo de Odé, Hilton Cobra and Joel Zito Araújo Spaces: Ngoma School of Capoeira Angola, Theater of the Oppressed Center and Vila Velha Theater About The Artist(s) ANDREIA BEATRIZ: - Debuting Director, Doctor at Lemos Brito Penitentiary, in Bahia, Specialist in Family and Community Medicine, Master in Public Health. Coordinator of the Political Organization React or Be Dead, Co-founder of the Winnie Mandela Quilombist Community School. Author of the book “Olhar por entre grares, lives in poems”, published by Reaja Editora (2020) of which she is co-founder. HAMILTON BORGES: Hamilton Borges - Debuting Director. Born and raised in Curuzu, Salvador City in Bahia. His knowledge comes from his black wrestling and emotional interaction with the women in his family, especially his paternal grandmother. He conceived and integrates the “React or it will be dead” and the Winnie Mandela School. Writer of “General Theory of Failure”, “Salvador, tomb city”, “Ariel's black book” and “Libido, oil palm and melanin”. Luis Carlos de Alencar IMDB: https://www.imdb.com/name/nm3439398/ Director, screenwriter, researcher. Partner of the production company Couro de Rato. Directed by the short Homem Invisíveis, Best International Doc at the Trans Stellar Film Festival-Detroit/USA; award at the Mix Brasil Festival; best direction - DIGO - International Film Festival of Sexual and Gender Diversity - GO and Festival de Inhapim - MG; Best Documentary - Festival Cine Tamoio and Festival de Jaraguá do Sul; Best Regional Short at the Rio LGBTQIA+ Film Festival. Directed Contagem Regressiva, Best Doc and Best Soundtrack at Rio WF 2016; directed the doc Bombadeira, taken to more than 30 national and foreign festivals, RedeTrans award - 10 years of Bombadeira, for the contribution of the work to the transsexual community. Director, with Vladimir Seixas, of the series Corpos Periféricos (6 episodes), shown by ESPN. As Assistant Director, he acted in 21 works, including feature documentaries, telefilms and 6 TV series. Post-Graduate in Cinema and Audiovisual at M_EIA, Cape Verde Institute of Art; Postgraduate in Communication and Image at PUC-Rio; Graduated in Law from UFBA. Get in touch with the artist(s) lcfdaf@gmail.com and follow them on social media https://www.instagram.com/reajaouseramorta/ https://reajanasruas.blogspot.com/ https://www.instagram.com/couroderato/ http://couroderato.com.br/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Wo/我 by Jiemin Yang at the Segal Film Festival on Theatre and Performance 2024. In this biographical short dance film, follow the emotional journey of a queer Chinese American immigrant dance artist as he navigates the complexities of identity and belonging in New York City. The Martin E. Segal Theater Center presents Wo/我 At the Segal Theatre Film and Performance Festival 2024 A film by Jiemin Yang Dance This film will be available to watch online on the festival website May 16th onwards for 3 weeks, as well as screened in-person on May 20th. About The Film Country United States Language English Running Time 11 minutes Year of Release 2020 In this biographical short dance film, follow the emotional journey of a queer Chinese American immigrant dance artist as he navigates the complexities of identity and belonging in New York City. Jiemin Yang (director, choreographer, performer), Ellen Maynard (Director of Photography & Camera, Lighting, Editing) James Acampora (Composer), Jacob Psenicka (Audio Engineer), Doug Beacon (Music Consultant), Script: Jordan Barsky, Ellen Maynard, Jiemin Yang. This project Wo/我 is made possible (in part) by the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council. About The Artist(s) Jiemin, a Chinese-American choreographer based in Queens, holds a MA in contemporary dance from London Contemporary Dance School and a BS in graphic design and dance from Macaulay Honors College at Queens College. As a resident artist with CUNY Dance Initiative from 2020-2022, he's received numerous grants from Queens Council on the Arts. His dance film "Wo/我" earned the Outstanding Dance Film Award at Queens World Film Festival ’22 and the Best Short Narrative Award at DisOrient Asian American Film Festival of Oregon ’22. He was recognized as Artist of Exceptional Merit ’22 by Asian American Arts Alliance. Jiemin has showcased his works at AAPI Dance Festival at APAP 2024, 42nd Battery Dance Festival 2023, Museum of Chinese in America, Queens Botanical Garden, The Mark O’Donnell Theatre, and Auditório do Parque da Devessa in Portugal. Additionally, he's been selected for the Redtail Artist Residency 2023. Get in touch with the artist(s) Jiemin Yang and follow them on social media https://www.instagram.com/jiemin.art/?hl=en, https://www.jieminyang.art/, Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Women of Theatre, New York by Juney Smith at the Segal Film Festival on Theatre and Performance 2024. The extraordinary story of the beginning of the artistic life, artistic journey and careers of theatre artists that were a part of the foundation of Black Theatre in New York City. Their acting, directing and writing helped build, repute and sustain The Negro Ensemble Company, New Federal Theatre and The Billie Holiday Theatre to name a few of the Black Theatres that began in the 1960's and exist now in the 21st Century. These theaters along with other Black Theatres in New York City helped develop the majority of today's Black movie and television stars. Women of Theatre, New York powerfully speaks. The Martin E. Segal Theater Center presents Women of Theatre, New York At the Segal Theatre Film and Performance Festival 2024 A film by Juney Smith Documentary Online / In-Person This film will be available to watch online on the festival website May 16th onwards for 3 weeks. About The Film Country United States Language English Running Time 106 minutes Year of Release 2023 The extraordinary story of the beginning of the artistic life, artistic journey and careers of theatre artists that were a part of the foundation of Black Theatre in New York City. Their acting, directing and writing helped build, repute and sustain The Negro Ensemble Company, New Federal Theatre and The Billie Holiday Theatre to name a few of the Black Theatres that began in the 1960's and exist now in the 21st Century. These theaters along with other Black Theatres in New York City helped develop the majority of today's Black movie and television stars. Women of Theatre, New York powerfully speaks. Executive Producer Glynn Turman, Written and Directed by Juney Smith Starring Elizabeth Van Dyke, Petronia Pale, Joyce Sylvester, Elain Graham, Kim Weston Moran, Terria Joseph, Perri Gaffney, Linda Armstrong, Peggy Alston About The Artist(s) JUNEY SMITH BIO Juney Smith is a native New Yorker and graduate of LIU Brooklyn. He is a veteran actor, director, writer and producer of stage, screen and television. As an actor on stage he acted in classic plays and portrayed the roles of Walter Lee in Lorraine Hansberry’s “A Raisin in the Sun”, Oscar Madison in Neil Simon’s “The Odd Couple” and Solly Two Kings in August Wilson’s “Gem of the Ocean”. Mr. Smith’s most recent television credits include, “FBI”, “Law &Order SVU”, “Blue Bloods”, “The Breaks” and as far back as, ER, “Mash”, “Growing Pains”, “Hill Street Blues” “Highway to Heaven”, ”Matlock”, “and beginning with “The White Shadow”. On film, he Co-Starred as “Sgt. Phil McPherson” opposite Robin Williams and Forest Whitaker in the comedy classic “Good Morning Vietnam” Mel Gibson and Danny Glover as” Det. Tom Wyler” in the action classic “Lethal Weapon 2”, as “Chief” in “Friends and Romans” and as Nestor in the upcoming A24 production “A Different Man” opposite Sebastian Stan. The former Artistic Director of 4 theatre companies from 1979 to 1998 “The Renaissance Drama Company and Mattie Theatre Company, New York and “Rainbow Connection Drama Company and Rebirth Drama Company in Los Angeles where he directed over 100 plays including; “For Colored Girls Who Have Considered Suicide When The Rainbow is Enuf”, “One Flew Over The Cuckoo’s Nest” “Ceremonies in Dark Old Men” “Livin Fat” and “Twelve Angry Men” In 1988 he wrote the stage play “The Nation” (A story of the Nation of Islam). After completing an intensive film making program at NYU Tisch School of the Arts, Mr. Smith transformed the stage play into his first feature film in 1992 “The Nation” In 1999 along with partners formed the movie production company “Drummond and Smith Entertainment Inc. and later renamed Rainbow Media Group, Inc. He has written, directed, and produced 37 feature films (22 Narrative films and 15 Documentaries films) where all the films are distributed on Blu Ray and DVD in the major retail stores online at Walmart, Best Buy, Target and Amazon and Streaming markets such as, Peacock, Prime Video, Tubi, Vudu and Hoopla worldwide. In 2018 he partnered with legendary actor Glynn Turman and his company Backyard Ventures, Inc in pursuit of producing documentary films about Black Performing Artists and Black Performing Arts Institutions. Log on to: juneysmithfilms.com to see the library and viewing information. Get in touch with the artist(s) juneysmith466@gmail.com and follow them on social media juneysmithfilms.com Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch The Roll Call:The Roots to Strange Fruit by Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula at the Segal Film Festival on Theatre and Performance 2024. Roll Call: The Roots to Strange Fruit is a visual, sonic opera that weaves together the peculiar institution of slavery from Auction Blocks to Fugitive Slave ads to “Information Wanted” family notices as a reclamation to unearth the journey of Black people on this foreign, stolen, soil. The Martin E. Segal Theater Center presents The Roll Call:The Roots to Strange Fruit At the Segal Theatre Film and Performance Festival 2024 A film by Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula Theater, Dance, Film, Performance Art, Spoken Word, Other This film will be available to watch online on the festival website May 16th onwards for 3 weeks. About The Film Country United States Language English Running Time 23 minutes Year of Release 2022 Roll Call: The Roots to Strange Fruit is a visual, sonic opera that weaves together the peculiar institution of slavery from Auction Blocks to Fugitive Slave ads to “Information Wanted” family notices as a reclamation to unearth the journey of Black people on this foreign, stolen, soil. Executive Producers National Black Theatre Creative Doula LLC Conceived & Directed by Jonathan McCrory Composer Chaitanya /sangco and Joy Abalon Tamayo of Brick Shop Audio Choreographer Rickey Tripp Director of Photography/ Editor Thomas Wirthensohn Costumes Designer D. Elem Delta Production Manager Belynda M’Baye Sound Engineer Brick Audio Dancer LaWanda Hopkins Narrations by Denise Manning Michael Oloyede Tramell Tillman Marquise Vilsón Kara Young About The Artist(s) Jonathan McCrory is a Tony Award and Emmy Award nominated producer, two time Obie Award-winning, Harlem-based artist who has served as Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. As Artistic Director (Creative Duala), he is the creative heart of the institution helping to select, develop and manage acclaimed programs and productions, such as The Peculiar Patriot and Kill Move Paradise. His creative force also helped the theatre expand its reach with the creation of the National Black Theatre of Sweden. As a director, he has helmed numerous productions including Dead and Breathing, HandsUp, and Blacken The Bubble and devised works like Hope Speaks, Evoking Him: Baldwin and Emergence: A Communion (based on adrienne marie brown's book Emergent Strategy). He has been acknowledged as an exceptional leader additionally through Craine’s New York Business 2020 Notable LGBTQ Leaders and Executives and in 2016 he was awarded 40 under 40 Rising Star award from the New York Nonprofit Media. He has been awarded the Emerging Producer Award by the National Black Theatre Festival of Winston Salem, North Carolina and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the producing organizations Harlem9, the Movement Theatre Company and national services organizations such as Black Theater Commons and Next Generation National Network. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity and Emerge NYC. He is also on the steering committee of the JUBILEE, working to help artists from marginalized communities. In 2019, McCrory was appointed to the nomination committee of the Tony Awards and he was also a member of the nominating committee for the Lucille Lortel Awards. A Washington, DC native, McCrory attended Duke Ellington School of the Arts and earned his BFA from New York University Tisch School of the Arts. To learn more, please visit www.jonathanmccrory.com . Get in touch with the artist(s) jonathan@nationalblacktheatre.org and follow them on social media https://www.jonathanmccrory.com/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

NIALL N JONES presents - *• AsTheyWriistBroke •* - at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 - *• AsTheyWriistBroke •* - NIALL N JONES 5-5:50 pm Saturday, October 19, 2024 Elebash Recital Hall RSVP A recitation on turbulence and beauty and heartbreak. Much more and less a postlude than a prelude, or simply an inter... a refraction of performance's troublesome ghosts. Much more and less than a flamboyant flash, something other than vast material weight even though I can't catch no man Hangin' out at a discotheque But I believe in the boogie Oh, but the boogie don't believe in me ! ! ! ! He wanders around, as if to finish setting up .. “You ready?” AN OUTCAST TO BE CAST OUT They might be talking to himself. Acts as if he were alone, moving equipment, listening to his music. MUSE ICK CUT But he also calls out light and sound cues to suit shifting moods. REPEAT*NOISES/ Occasionally, he dances. He drags, it sounds heavy. crashes.symbols jackhammer chatter clanging He slips, and he bumps “...as if I’d lost my center of gravity.” (Christina Sharpe, Ordinary Notes) They smile ... < : • |\ LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). Niall Jones is an artist, performer and teacher based in New York City. Niall works within a constellation of curiosities, obsessions and practices that move across dance, performance, sound, text, photography and video. Niall constructs immersive, liminal sites that attend to the sensual, collective registers of fiction, dis/order, dis/placement, and in/completeness. Recent performance works by Niall include: Sis Minor , in Fall (2018) at Abrons Arts Center, New York, NY; Fantasies in Low Fade (2019) at the Chocolate Factory, New York, NY; A Work for Others (2021) at The Kitchen @ Queenslab, New York, NY; Open Studio (2021) at MoMA PS1, Queens, NY; In the Efforts of Time (2022) at Staatliche Akademie der Bildenden Künste, Stuttgart, DE; dark de luxe: a mess for body, shadow, and other rogue im/materials (2022) at Jack Art Center, Brooklyn, NY; a n u n r e a l (2022) at The Shed, New York, NY; C O M P R E S S I O N (2022) at Performance Space New York, NY; Hahaha (2023) as part of the School for Temporary Liveness, Vol. 3, in Philadelphia; and JohnsonJaxxxonJefferson (2024) at Danspace Project, New York, NY. Explore more performances, talks and discussions at PRELUDE 2024 See What's on

Watch "Nightshades" - Veronica Viper by Ellen Callaghan at the Segal Film Festival on Theatre and Performance 2024. Directed/Filmed/Edited: Ellen Callaghan Featuring: Veronica Viper Theme Music: Leeni Ramadan Born and raised on the Lower East Side of New York City, Veronica Viper spends her time plotting the destruction of the sense of “normalcy”, opening the close minded with the force of a crowbar and challenging the ignorant to stare into the sun that is her bosom. Nightshades is an ongoing series that not only highlights different artists around New York by giving insight into who they are and what they do, but also gives people an inside peek into a world with a different freedom, expression, creativity, and passion, even as it’s changed over the past few years–a city making art at night. One night of filming with one artist and one filmmaker. The Martin E. Segal Theater Center presents "Nightshades" - Veronica Viper At the Segal Theatre Film and Performance Festival 2024 A film by Ellen Callaghan Documentary, Film, Performance Art, Other This film will be available to watch online May 16th onwards for 3 weeks, and it will also be screened in-person on May 20th. About The Film Country United States Language English Running Time 10 minutes Year of Release 2023 Directed/Filmed/Edited: Ellen Callaghan Featuring: Veronica Viper Theme Music: Leeni Ramadan Born and raised on the Lower East Side of New York City, Veronica Viper spends her time plotting the destruction of the sense of “normalcy”, opening the close minded with the force of a crowbar and challenging the ignorant to stare into the sun that is her bosom. Nightshades is an ongoing series that not only highlights different artists around New York by giving insight into who they are and what they do, but also gives people an inside peek into a world with a different freedom, expression, creativity, and passion, even as it’s changed over the past few years–a city making art at night. One night of filming with one artist and one filmmaker. Directed/Filmed/Edited: Ellen Callaghan Featuring: Veronica Viper Theme Music: Leeni Ramadan About The Artist(s) Ellen is a queer director, editor, producer, and head of MAEV--a film production company operating out of Brooklyn, New York. She has conceptualized and created everything from music videos and TV commercials to documentary and narrative films. Her passion is film, and she hopes to use her filmmaking skills to help make a positive impact in the world. Get in touch with the artist(s) ellen@thisismaev.com and follow them on social media https://www.ellencallaghan.com/, https://thisismaev.com/, IG: @this.is.maev, IG: @classiccallaghan Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

AMANDA HOROWITZ presents Bad Stars at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 Bad Stars AMANDA HOROWITZ 7-7:50 pm Thursday, October 17, 2024 The Segal Theatre RSVP Two brothers writing a Hollywood movie about worms struggle to split apart. Like a worm cut in half, one play becomes two, becomes three, becomes many. Adapted from True West by Sam Shepard. Written & directed by Amanda Horowitz Performed by Brian Mendes, Peter Mills Weiss, Isa Spector Set and costumes by Maggie Fitzpatrick Bathtub painting by Adi Blaustein Rejto Rehearsal asst.: Carolyn Kettig, Hannah Applebaum, Hayley Stahl Special thanks to Jess Barbagallo, Sophia Cleary, Arne Gjelten LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). Amanda Horowitz is an interdisciplinary artist working between performance and sculpture. She writes and directs theater using experimental and collaborative methods. Past performance projects include: Heavenly Fools (2023, Mason Gross Playwrights Festival), Bad Stars (2023, STARS Gallery), Bad Water True West (2022, Bad Water Gallery), Suddenly, This Summer (2019, PAM), The Plumbing Tree (by Medium Judith, 2018, Highways Performance Space and Human Resources LA). She was the co-founder and director of Medium Judith (extg, 2013-2019), a theater collaboration with Bully Fae Collins. Amanda holds MFAs in Visual Art and Playwriting from Rutgers University. She is currently a member of 2024/2025 Clubbed Thumb Early-Career Writers' Group. Brian Mendes New York credits: with Richard Maxwell and New York City players: Field of Mars , Isolde , The Evening , End of Reality , Ode to the Man Who Kneels , Joe , Henry IV , and People Without History (dir); with Adam Rapp: Animals and Plants , Through the Yellow Hour ; with Annie Baker: Last of the Little Hours @ Sundance Theater Lab; with Tania Bruguera: Endgame ; with Sibyl Kempson:The Securely Conferred Vouchsafed Keepsakes of Maery S . Most recently Brian performed in the film Baltimorons directed by Jay Duplass. Peter Mills Weiss is a theater artist based in Brooklyn, NY. He has been nominated for a Henry Hewes Design Award and a New York Drama Critic's Circle Award. He is a former member of the Soho Rep Writer Director Lab and the Public Theater Devised Theater Working Group. His work has been presented locally at the Baryshnikov Arts Center, Soho Rep, Ars Nova, and Under the Radar Festival, and internationally as part of the Radikal Jung Festival at the Munchen Volkstheater, most recently at the Noorderzon Festival Groningen. Isa Spector is a performer, choreographer, and theater maker living in New York. Their work has been shown at Abrons Arts Center, Performance Space New York, Center for Performance Research, and Pageant. As a performer, Isa has worked with Korakrit Arunanondchai, boychild, Danielle Agami, Sam Max, and Alexa West. Isa holds a BFA in Dance and BA in Dramatic Literature from New York University. Explore more performances, talks and discussions at PRELUDE 2024 See What's on

Oops, this page doesn't exist (yet) on this website. Welcome to our new website! On 16 September 2023, the Segal Center moved to a new web platform. We are gradually moving and updating the content from our old website. Some of our archival content will remain unavailable for some time. In case of queries, please get in touch at mestc@gc.cuny.edu . You can also check the URL, or go back to the homepage and try again. Back to Homepage Visit Old Website

View the collection of books, plays and other literature on performing arts published and supported by the Martin E. Segal Theater Center at the Graduate Center CUNY. Books At The Martin E. Segal Center CUNY, we are dedicated to supporting the research, dissemination, and discourse of the performing arts through our extensive collection of books, publications, and journals. Our diverse collection covers a wide range of topics in the performing arts, from theater and dance to music and film. We are committed to providing a comprehensive resource for scholars, researchers, and artists alike. New Plays from the Caribbean Stéphanie Bérard, with Frank Hentschker An anthology of six contemporary Francophone Caribbean plays. BAiT: Buenos Aires in Translation Daniel Veronese, Lola Arias, Federico Leon, Rafael Spregelburd, Jean Graham-Jones This book brings US readers cutting-edge work from one of Latin America’s most vibrant theatrical scenes: Czech Plays: Seven New Works Marcy Arlin, Gwynn MacDonald, Daniel Gerould The first English-language anthology of Czech plays written after the 1989 “Velvet Revolution. Four Millennial Plays From Belgium David Willinger This anthology captures the tendencies of contemporary European playwriting at the beginning of the new millennium. Intermeddlers Sarah Stites, Frank Hentschker An examination of the censorship of LiIllian Hellman's The Children's Hour. New Plays from Italy Vol 2: Three Plays Daria Deflorian, Antonio Tagliarini, Maria Galante, Michele Santeramo, Allison Eikerenkoetter, Jane House, Frank Hentschker This collection features an anthology of three contemporary plays from Italy. Pixérécourt: Four Melodramas Daniel Gerould, Marvin Carlson A collection of dramas from French theatre director and playwright René-Charles Guilbert de Pixerécourt. Selected Essays: New Directions Nehad Selaiha, Marvin Carlson Nehad Selaiha chronicles the rise of the Free Theatre Movement in Egypt in the late 1980s. Szertelen Színdarabok New Yorkból (Riff Raff Plays from New York) Attila Szabó, Frank Hentschker Hungarian language anthology of five contemporary American theater plays. The Art of Assembly Florian Malzacher A survey of contemporary theatre to demonstrate its political potential in both form and content. Three Poems Liwaa Yazji A collection of poems from Syrian playwright and filmmaker Liwaa Yazji. Zeami and the Nô Theatre in the World Benito Ortolani, Samuel L. Leiter This volume contains the proceedings of the “Zeami and the Nô Theatre in the World” symposium, held in New York City in October 1997 Theatre Research Resources in New York City Marvin Carlson A comprehensive catalogue of New York City research facilities available to theatre scholars. Barcelona Plays Josep M. Benet i Jornet, Sergi Belbel, Lluisa Cunielle, Pau Miro, Marion Peter Holt, Sharon G. Feldman A Collection of New Works by Catalan Playwrights DANCE New York: Performed Manifestos Frank Hentschker A snapshot of the vibrant New York dance scene, through their manifestos. Four Plays from North Africa Abdelkader Alloula, Jalila Baccar, Fatima Gallaire, Tayeb Saddiki A collection of dramatic texts from the Maghreb region of Northwest Africa. Jan Fabre: I Am A Mistake Jan Fabre Seven works from the Flemish-Dutch theatre artist Jan Fabre. New Plays from Italy Volume 3 Valeria Orani, Frank Hentschker A collection of contemporary Italian plays presented in English. Playwrights Before the Fall Daniel Gerould A unique anthology playwrights from Poland, Slovenia, Hungary, Czechoslovakia, and Romania in the backdrop of rebellion, war and revolution. Selected Essays: Perspectives Nehad Selaiha, Marvin Carlson Nehad Selaiha draws attention to important performers, directors, dramaturges, critics and managers of Egyptian Theatre. Ta’ziyeh - Ten Contemporary Indigenous Plays From Iran M.J. Yousefian Kenari, Marvin Carlson A collection of the Ta'ziyeh passion play of Iran, one of the world's most elaborate, wide-spread and long-lasting traditions of religious drama. The Heirs of Molière Marvin Carlson Four French Comedies of the 17th and 18th Centuries Timbre 4: Two Plays by Claudio Tolcachir Claudio Tolcachir, Jean Graham-Jones Collection of plays from Claudio Tolcachir’s Timbre 4 company based in Buenos Aires, Argentina. roMANIA after 2000 Saviana Stanescu, Daniel Gerould. The first anthology of new Romanian drama published in the United States A Permanent Parliament: Notes on Social Choreography Cory Tamler An experiment in writing about performance from the conviction that our entire beings (thoughtbodies) make theory and politics. Comedy: A Bibliography Meghan Duffy, Daniel Gerould A bibliography of critical studies in english on the theory and practice of comedy in drama, theatre, and performance. Decadent Histories: Four Plays by Amelia Hertz Amelia Hertz, Jadwiga Kosicka An innovative collection of plays based on bizarre and macabre episodes from history and legend. Four Plays from Syria: Sa‘dallah Wannous Marvin Carlson, Safi Mahfouz, Robert Myers, Nada Saab This collection contains four full-length works by Sa‘dallah Wannous, available in English for the first time. Jan Fabre: The Servant of Beauty Jan Fabre This volume of monologues is the second collection of works by Jan Fabre for the theatre in an English translation. New Plays from Italy Volume 4 Valeria Orani, Frank Hentschker A collection of contemporary Italian plays, presented in English. Quick Change Daniel Gerould A volume of previously uncollected writings by Daniel Gerould from Comparative Literature, Modern Drama, PAJ, TDR, SEEP, yale/theater and other journals. Selected Essays: Plays and Playwrights Nehad Selaiha, Marvin Carlson A stimulating eyewitness account of modern Egyptian drama by Nehad Selaiha. Ten Years PRELUDE Frank Hentschker, Yu Chien Liu Capturing 10 years of the contemporary performances and conversations of the Segal Center's PRELUDE festival. The Trilogy of Future Memory Jalila Baccar, Fadhel Jaïbi, Marvin Carlson, Nabil Cherni A collection of recent work by Tunisian playwright and actress Jalila Baccar and director co-author Fadhel Jaibi, capturing the complexity and depth of grand themes prevalent in Arab societies. Two Plays: Fleeting Stages Josep M. Benet i Jornet, Marion Peter Holt A collection of two plays by Catalan playwright Josep M. Benet i Jornet. An Incomprehensible Mother Tongue Valère Novarina, Frank Hentschker This volume contains two new American translations of works by Valère Novarina Contemporary Theatre in Egypt Alfred Farag, Gamal Maqsoud, Lenin El-Ramly, Marvin Carlson Contains the first English translation of short plays by leading Egyptian playwrights. Four Arab Hamlet Plays Nabyl Lahlou, Mamduh Adwan, Nader Omran, Jawad al-Assadi, Mahmoud Aboudoma, Marvin Carlson, Magaret Litvin, Joy Arab Jumping off from Shakespeare’s tragedy, the Arab Hamlet tradition has produced bitter and hilarious political satire, musical comedy, and farce. Four Works for the Theatre Hugo Claus, David Willinger, Luk Truyts, Luc Deneulin. A collection of dramatic texts from the Flemish writer and playwright Hugo Claus. New Plays from Italy Vol 1: The Origin of the World Frank Hentschker, Jane House A story of basic and perverse family dynamics, the play is an all-female human comedy in three acts. New Plays from Spain Ernesto Caballero, Guillem Clua, Cristina Colmena, Mar Gómez Glez, Borja Ortiz de Gondra, Alfredo Sanzol, Emilio Williams This selection of plays offers insight into the evolution of Spanish art and culture in the context of the country’s current situation. Selected Essays: Cultural Encounters 1 and 2 Nehad Selaiha, Marvin Carlson Volume 4 of Nehad Selaiha's analysis of Egyptian Theatre focuses on cultural relationships. Shakespeare Made French: Four Plays by Jean-François Ducis Jean-François Ducis, Marvin Carlson An exciting collection of Jean-François Ducis' radical reworkings of William Shakespeare's most famous tragedies, penned on the eve of the French Revolution. The Arab Oedipus: Four Plays Marvin Carlson, Tawfiq al-Hakim, Ali Ahmad Bakathir, Ali Salim, Walid Ikhlasi A varied collection of Arabic explorations of one of the central dramas of the European canon. Theatre from Medieval Cairo: The Ibn Dāniyāl Trilogy (Egypt) Marvin Carlson, Safi Mahfouz The first-ever English translation of three of Ibn Dāniyāl’s saucy puppet plays. Witkiewicz: Seven Plays Stanisław Ignacy Witkiewicz, Daniel Gerould An English-translation anthology of seven of Witkiewicz’s most important plays.

Special Section Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 28 2 Visit Journal Homepage Reports from the Front Special Section By Published on May 26, 2016 Download Article as PDF iDream: Addressing the Gender Imbalance in STEM through Research-Informed Theatre for Social Change by Eileen Trauth, Karen Keifer-Boyd and Suzanne Trauth Setting the Stage for Science Communication: Improvisation in an Undergraduate Life Science Curriculum by Cindy L. Duckert and Elizabeth A. De Stasio Playing Sick: Training Actors for High Fidelity Simulated Patient Encounters by George Pate and Libby Ricardo References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue Blue-Collar Broadway The New Humor in the Progressive Era Stages of Engagement Introduction: Performance as Alternate Form of Inquiry in the Age of STEM Reports from the Front iDream: Addressing the Gender Imbalance in STEM through Research-Informed Theatre for Social Change Moonwalking with Laurie Anderson: The Implicit Feminism of 'The End of the Moon' Playing Sick: Training Actors for High Fidelity Simulated Patient Encounters This In-Between Life: Disability, Trans-Corporeality, and Radioactive Half-Life in D.W. Gregory’s Radium Girls Setting the Stage for Science Communication: Improvisation in an Undergraduate Life Science Curriculum Scientific Research and Inquiry in American Theatre America, Humor, and the Working Class Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Book Reviews Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 30 2 Visit Journal Homepage Performance and Politics Book Reviews By Published on May 28, 2018 Download Article as PDF Donatella Galella, Editor Black Performance on the Outskirts of the Left By Malik Gaines Reviewed by Kristin Moriah The Contemporary American Monologue: Performance and Politics By Eddie Paterson Reviewed by Kevin T. Browne Immersions in Cultural Difference: Tourism, War, Performance By Natalie Alvarez Reviewed by Eero Laine Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director By Natka Bianchini Reviewed by Richard Jones Stage for Action: U.S. Social Activist Theatre in the 1940s By Chrystyna Dail Reviewed by Erin Rachel Kaplan Stages of Struggle and Celebration: A Production History of Black Theatre in Texas By Sandra M. Mayo and Elvin Holt Reviewed by Sharyn Emery Books Received The Journal of American Drama and Theatre Volume 30, Number 2 (Spring 2018) ISNN 2376-4236 ©2018 by Martin E. Segal Theatre Center References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue Stages of Struggle and Celebration: A Production History of Black Theatre in Texas Immersions in Cultural Difference: Tourism, War, Performance Stage for Action: U.S. Social Activist Theatre in the 1940s Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director The Contemporary American Monologue: Performance and Politics Black Performance on the Outskirts of the Left Introduction: Mediations of Authorship in American Postdramatic Mediaturgies Kaldor and Dorsen's "desktop performances" and the (Live) Coauthorship Paradox Ecologies of Media, Ecologies of Mind: Embodying Authorship Through Mediaturgy Dropping the Needle on the Record: Intermedial Contingency and Spalding Gray's Early Talk Performances #HEWILLNOTDIVIDEUS: Weaponizing Performance of Identity from the Digital to the Physical Performance and Politics Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Special Issue Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 28 2 Visit Journal Homepage Scientific Research and Inquiry in American Theatre Special Issue By Published on May 31, 2016 Download Article as PDF Introduction: Performance as Alternate Form of Inquiry in the Age of STEM by Iris Smith Fischer, Guest Editor This In-Between Life: Disability, Trans-Corporeality, and Radioactive Half-Life in D. W. Gregory’s Radium Girls by Bradley Stephenson Moonwalking with Laurie Anderson: The Implicit Feminism of The End of the Moon by Vivian Appler iDream: Addressing the Gender Imbalance in STEM through Research-Informed Theatre for Social Change by Eileen Trauth, Karen Keifer-Boyd and Suzanne Trauth Setting the Stage for Science Communication: Improvisation in an Undergraduate Life Science Curriculum by Cindy L. Duckert and Elizabeth A. De Stasio Playing Sick: Training Actors for High Fidelity Simulated Patient Encounters by George Pate and Libby Ricardo References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue Blue-Collar Broadway The New Humor in the Progressive Era Stages of Engagement Introduction: Performance as Alternate Form of Inquiry in the Age of STEM Reports from the Front iDream: Addressing the Gender Imbalance in STEM through Research-Informed Theatre for Social Change Moonwalking with Laurie Anderson: The Implicit Feminism of 'The End of the Moon' Playing Sick: Training Actors for High Fidelity Simulated Patient Encounters This In-Between Life: Disability, Trans-Corporeality, and Radioactive Half-Life in D.W. Gregory’s Radium Girls Setting the Stage for Science Communication: Improvisation in an Undergraduate Life Science Curriculum Scientific Research and Inquiry in American Theatre America, Humor, and the Working Class Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Drew Barker Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 35 2 Visit Journal Homepage How Collaboration is Dramaturgy Between Playwright and Multimedia Creator Drew Barker By Published on May 17, 2023 Download Article as PDF References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue México (Expropriated): Reappropriation and Rechoreography of Ballet Folklórico Sarah Gancher and Jared Mezzocchi : How Collaboration is Dramaturgy Between Playwright and Multimedia Creator Making Up for Lost Time: New Play Development in Academia Post COVID 19 The Heart/Roots Project and a Pandemic Pivot Effing Robots Online: The Digital Dramaturgy of Translating In-Person Theatre to Online Streaming How Collaboration is Dramaturgy Between Playwright and Multimedia Creator From Safe to Brave—Developing A Model for Interrogating Race, Racism and the Black Lives Matter Movement Using Devised Theater How to Make a Site-Specific Theatrical Homage to a Film Icon Without Drowning in Your Ocean of Consciousness; or, The Saga of Red Lodge, Montana Starting with the Space: An Interview with Patrick Gabridge Meet Me Where I Am: New Play Dispatches from the DC Area Playing Global (re)Entry: Migration, Surveillance, and Digital Artmaking The Front Porch Plays: Socially-Distanced, Covid-Safe, Micro-Theatre Reviving Feminist Archives: An Interview with Leigh Fondakowski (Re)Generation: Creating Situational Urban Theatre During COVID and Beyond Chevruta Partnership and the Playwright/Dramaturg Relationship Emergent Strategy Abolitionist Pedagogy in Pandemic Time Revolutions in Performance and Theatre / History Now Feeling the Future at Christian End-Time Performances Aural/Oral Dramaturgies: Theatre in the Digital Age Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times: Edited by Kendra Capece, Patrick Scorese. New York: Routledge, 2023; Pp. 188 The Cambridge Companion to American Theatre Since 1945: Edited by Julia Listengarten and Stephen Di Benedetto. Cambridge: Cambridge University Press, 2021; Pp. 273. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Book Reviews Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 28 1 Visit Journal Homepage Slavery, Murder, and an American Tragedy Book Reviews By Published on March 22, 2016 Download Article as PDF Susan Kattwinkel, Editor American Tragedian: The Life of Edwin Booth By Daniel J. Watermeier Reviewed by Karl Kippola The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North By Douglas A. Jones, Jr. Reviewed by Beck Holden Murder Most Queer: The Homicidal Homosexual in the American Theater By Jordan Schildcrout Reviewed by Laura Dorwart Performing Anti-slavery: Activist Women on Antebellum Stages By Gay Gibson Cima Reviewed by Heather S. Nathans If you know of a publication appropriate for review, please send the information to current book review editor Susan Kattwinkel at kattwinkels@cofc.edu . A list of books received can be found at www.susankattwinkel.com . References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue American Tragedian Changes, Constants, Constraints: African American Theatre History Scholarship Performing Anti-slavery The Captive Stage Musical Theatre Studies Reflections: Fifty Years of Chicano/Latino Theatre Transgressive Engagements: The Here and Now of Queer Theatre Scholarship Strangers Onstage: Asia, America, Theatre, and Performance Thinking about Temporality and Theatre Murder Most Queer New Directions in Dramatic and Theatrical Theory: The Emerging Discipline of Performance Philosophy The State of the Field “Re-righting” Finland’s Winter War: Robert E. Sherwood’s There Shall Be No Night[s] Star Struck!: The Phenomenological Affect of Celebrity on Broadway Slavery, Murder, and an American Tragedy Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Editorial Board Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 28 1 Visit Journal Homepage The State of the Field Editorial Board By Published on March 22, 2016 Download Article as PDF The Journal of American Drama and Theatre asked seven leading scholars to comment on how they saw the state of our field today. This is what they wrote. New Directions in Dramatic and Theatrical Theory: The Emerging Discipline of Performance Philosophy Michael Y. Bennett Changes, Constants, Constraints: African American Theatre History Scholarship Kevin Byrne Reflections: Fifty Years of Chicano/Latino Theatre Jorge Huerta Strangers Onstage: Asia, America, Theatre, and Performance Esther Kim Lee Transgressive Engagements: The Here and Now of Queer Theatre Scholarship Jordan Schildcrout Thinking about Temporality and Theatre Maurya Wickstrom Musical Theatre Studies Stacy Wolf References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue American Tragedian Changes, Constants, Constraints: African American Theatre History Scholarship Performing Anti-slavery The Captive Stage Musical Theatre Studies Reflections: Fifty Years of Chicano/Latino Theatre Transgressive Engagements: The Here and Now of Queer Theatre Scholarship Strangers Onstage: Asia, America, Theatre, and Performance Thinking about Temporality and Theatre Murder Most Queer New Directions in Dramatic and Theatrical Theory: The Emerging Discipline of Performance Philosophy The State of the Field “Re-righting” Finland’s Winter War: Robert E. Sherwood’s There Shall Be No Night[s] Star Struck!: The Phenomenological Affect of Celebrity on Broadway Slavery, Murder, and an American Tragedy Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Book Reviews Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 32 2 Visit Journal Homepage Theatre and Ecology Book Reviews By Published on June 12, 2020 Download Article as PDF Maya Roth, Editor The Drama and Theatre of Sarah Ruhl By Amy Muse Reviewed by John Bray A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century US American Actor Edited by Amy E. Hughes and Naomi J. Stubbs Reviewed by Amy B. Huang Theatre, Performance and Cognition: Languages, Bodies and Ecologies Edited by Rhonda Blair and Amy Cook Reviewed by Collin Vorbeck The History and Theory of Environmental Scenography By Arnold Aronson Reviewed by Michael Valdez Books Received The Journal of American Drama and Theatre Volume 32, Number 2 (Spring 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue Theatre, Performance and Cognition: Languages, Bodies and Ecologies The Drama and Theatre of Sarah Ruhl A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century US American Actor The History and Theory of Environmental Scenography Introduction: Local Acts: Performing Communities, Performing Americas The Architecture of Local Performance: Stages of the Taliesin Fellowship “La conjura de Xinum” and Language Revitalization: Understanding Maya Agency through Theatre Exploring the History and Implications of Toxicity through St. Louis: Performance Artist Allana Ross and the “Toxic Mound Tours” Finding Home in the World Stage: Critical Creative Citizenship and the 13th South Asian Theatre Festival 2018 Theatre and Ecology Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

Book Reviews Back to Top Untitled Article References Authors Keep Reading < Back Journal of American Drama & Theatre Volume Issue 30 1 Visit Journal Homepage Musicals, Minstrelsy, and More Book Reviews By Published on December 12, 2017 Download Article as PDF Donatella Galella, Editor American Musical Theater By James Leve Reviewed by Eric M. Glover May Irwin: Singing, Shouting, and the Shadow of Minstrelsy By Sharon Ammen Reviewed by Franklin J. Lasik Chinese Looks: Fashion, Performance, Race By Sean Metzger Reviewed by Christine Mok New York's Yiddish Theater: From the Bowery to Broadway Edited by Edna Nahshon Reviewed by Derek R. Munson Musical Theatre Books (Actor-Musicianship, The Complete Book of 1940s Broadway Musicals, and Musical Theatre Song) By Jeremy Harrison, Dan Dietz, and Stephen Purdy Reviewed by Curtis Russell Books Received The Journal of American Drama and Theatre Volume 30, Number 1 (Fall 2017) ISNN 2376-4236 ©2017 by Martin E. Segal Theatre Center References About The Author(s) Journal of American Drama & Theatre JADT publishes thoughtful and innovative work by leading scholars on theatre, drama, and performance in the Americas – past and present. Provocative articles provide valuable insight and information on the heritage of American theatre, as well as its continuing contribution to world literature and the performing arts. Founded in 1989 and previously edited by Professors Vera Mowry Roberts, Jane Bowers, and David Savran, this widely acclaimed peer reviewed journal is now edited by Dr. Benjamin Gillespie and Dr. Bess Rowen. Journal of American Drama and Theatre is a publication of the Martin E. Segal Theatre Center. Visit Journal Homepage Table of Contents - Current Issue May Irwin American Musical Theater Musical Theatre Books New York's Yiddish Theater Chinese Looks Reclaiming Four Child Actors through Seven Plays in US Theatre, 1794-1800 The Illusion of Work: The Con Artist Plays of the Federal Theatre Project On Bow and Exit Music Legitimate: Jerry Douglas's Tubstrip and the Erotic Theatre of Gay Liberation Musicals, Minstrelsy, and More Previous Next Attribution: This entry is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.