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LESLIE CUYJET, FRANCESCA D'UVA, MORIAH EVANS + KATIANA GONÇALES RANGEL presents Group Date: a conversation at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 Group Date: a conversation LESLIE CUYJET, FRANCESCA D'UVA, MORIAH EVANS + KATIANA GONÇALES RANGEL 6-6:50 pm Thursday, October 17, 2024 Elebash Recital Hall RSVP Join us for a conversation between Prelude 2024 artists Leslie Cuyjet, Francesca D’Uva, Moriah Evans, and Katiana Gonçales Rangel. Prelude 2024 features artists working in different corners of the New York performance scene. These Group Date conversations present an opportunity to foster connections, new and otherwise, between the festival’s featured artists. LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). Leslie Cuyjet is a performer, artist, and writer based in Brooklyn, NY. More information at lesliecuyjet.com Francesca D'Uva is an experimental comedian living in Brooklyn. Often employing her background in electronic music, she alternates between improvised storytelling and meticulously crafted mini-musicals that take the audience on a chaotic and strange journey inside her mind. She has performed all around New York City and at venues like MoMA PS1, MOCA and Ars Nova. Francesca was the 2022 Performance AIRspace Resident at Abrons Arts Center, culminating in her solo show, This Is My Favorite Song , which will have its Off-Broadway premiere at Playwrights Horizons in November. Moriah Evans positions choreography as an expansive social process. Drawing on somatic choreographic practices and feminist critiques of dance and visual culture, her works expand dance beyond the visible, to explore different ways of sensing both ourselves and our relationships to one another. In Evans’ practice, one work leads to the next, each project forming a chapter in her ongoing process to inspire transformation–both physical and psychosocially–through action. Evans creates site-specific performances, theater-based productions, gallery and museum-based participatory installations, symposiums, theoretical texts, and curatorial projects. Recent works include: Remains Persist (MOCA LA, CA, 2023; Performance Space New York, NY, 2022); Out of and Into: PLOT (Museion, Bolzano/Bozen, Italy, 2023); Rehearsals for Rehearsal (Public Art Fund, NY, 2022); RESTOS (Espacio Odeon, Bogota, Colombia, 2021); REPOSE (Beach Sessions, ΝY, 2021); Be My Muse (Pace Live, NY, 2021; Hirshhorn Museum, DC, 2018; FD-13 Minneapolis, 2017); Configure (The Kitchen, NY, 2018) and Figuring (SculptureCenter, NY, 2018). Evans has been honored with (among others): a 2023-2024 Hodder Fellowship, a 2022 Guggenheim Fellowship and a 2017 Foundation for Contemporary Arts, Grants to Artists. Evans initiated The Bureau for the Future of Choreography (2011-ongoing)—a collective investigating participatory performance. She was Editorial Director, Editor-in-Chief and Managing Editor of Movement Research Performance Journa l (2013-2022); Tanzkongress Curatorial Advisor (2017-2019); Dance & Process Co-Curator (The Kitchen, 2016-2023). Evans has a BA in Art History & English, Wellesley College, and MA in Art History, Theory, and Criticism from UCSD. Katiana Gonçales Rangel is a performer, director and educator from Brazil based in NYC. They have been creating independent theater work since 1998. Their most recent work Ama The Diver (2023/2024), in collaboration with Jim Fletcher and the cellist Lori Goldston, was performed in NYC, Portland and Seattle. Katiana has been creating documentary theater work with immigrant New Yorkers since 2014 with Incoming Theater Division (ITD), a branch of the company New York City Players, and has been ITD director since 2020. In 2024, the group performed La Casa de Bernarda Alba in Spanish language directed by Richard Maxwell. Explore more performances, talks and discussions at PRELUDE 2024 See What's on

[CANCELLED] HOLLAND ANDREWS + YUNIYA EDI KWON presents [CANCELLED] How does it feel to look at nothing (excerpt) at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 [CANCELLED] How does it feel to look at nothing (excerpt) [CANCELLED] HOLLAND ANDREWS + YUNIYA EDI KWON 4-4:50 pm Friday, October 18, 2024 The Segal Theatre RSVP Please note this event has been cancelled. An embodied affirmation of trans futures amidst the disintegrative reality of trans life, How does it feel to look at nothing is an experimental opera and pre-origin story of a Deity of Namelessness. Co-created, co-directed, and performed by Holland Andrews and yuniya edi kwon, the work is currently in development and will premiere in Fall 2026. For PRELUDE, Andrews and kwon perform excerpts from the work-in-progress. LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). Holland Andrews (b. 1988) is a vocalist, composer, music producer, and performer whose work focuses on the abstraction of operatic and extended-technique voice to build cathartic and dissonant soundscapes. Andrews arranges music for voice, clarinet, and electronics, frequently highlighting themes surrounding vulnerability and healing. Andrews harnesses these instruments’ innate qualities of power and elegance to serve as a cohesive vessel for these themes. As a vocalist, their influences stem from a dynamic range including contemporary opera, American experimentalism, musical theater, and jazz, while also cultivating their unique vocal style which integrates these influences with language disintegration, vocal distortion, and environmental ambiance. In 2024, Andrews was selected as one of 71 artists for the Whitney Museum of American Art’s Biennial Even Better Than The Real Thing . For the biennial, Andrews composed two sound installations for the museum, the 5-channel Air I Breathe: Radio for its main stairwell, Hyperacusis (Version One, Sleeping Bag) for its large freight elevator, as well as a new composition for live solo performance, titled Speaker . In addition to creating solo work, Andrews composes and performs for dance, theater, and film, and their work is toured nationally and internationally with artists such as Bill T. Jones, Dorothee Munyaneza, Will Rawls, Sonya Tayeh, Jenn Freeman, and poet Demian Dinéyazhi. Andrews has gained recognition from publications such as The Wire, The New York Times, Vogue, Le Monde, and BBC Radio. Holland Andrews is currently based in Brooklyn, New York. Andrews is a Foundation for Contemporary Arts Awardee in Music/Sound (2023) and a United States Artists Fellow (2024). yuniya edi kwon (b. 1989) is a composer-performer, violinist, vocalist, and interdisciplinary performance maker based in Lenapehoking, or New York City. Her practice connects composition, improvisation, movement, and ceremony to explore transformation & transgression, ritual practice as a tool to queer space & lineage, and the use of mythology to connect, obscure, and reveal. As a composer and improviser, she is inspired by Korean folk timbres & inflections, textures & movement from natural environments, and American experimentalism as shaped by the Association for the Advancement of Creative Musicians (AACM). Her work as a performance and movement artist embodies an expressive release and reclamation of colonialism’s spiritual imprints, connecting to both Japanese Butoh and a lineage of queer trans practitioners of Korean shamanic ritual. In addition to an evolving, interdisciplinary solo practice, she performs and collaborates with artists of diverse disciplines, including The Art Ensemble of Chicago, Senga Nengudi, Du Yun, Tomeka Reid, International Contemporary Ensemble, Kenneth Tam, and Degenerate Art Ensemble. Her work has been presented by Dia Art Foundation, Performa Biennial, National Sawdust, Harlem Stage, Asia Society New York, Roulette Intermedium, New York Live Arts, Bang on a Can, and Civitella Ranieri Foundation, among others. She is a recipient of the Foundation for Contemporary Arts Robert Rauschenberg Award in Music/Sound, an Arts Fellow at Princeton University’s Lewis Center for the Arts, a Johnson Fellow at Americans for the Arts, and a United States Artists Ford Fellow. Explore more performances, talks and discussions at PRELUDE 2024 See What's on

Get In Touch For inquiries, feedback, or any other information, please don't hesitate to contact us: Telephone: 212-817-1860 Email: mestc@gc.cuny.edu Address: The Martin E. Segal Theatre Center The Graduate Center, CUNY 365 Fifth Avenue, Room 5303New York, NY 10016-4309 Send Thank You for Contacting Us!

SKELETON ARCHITECTURE presents Skeleton Architecture at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 Skeleton Architecture SKELETON ARCHITECTURE 6:30-7:20 pm Wednesday, October 16, 2024 The Segal Theatre RSVP Skeleton Architecture is a vessel of Black womyn and gender non-conforming artists rooted in the rigor and power of the collective. In practice, Skeleton Architecture engages in embodied research towards the vital building of our Black collective. The body, the practice, and the corporeal and cognitive legacies in the room will inspire a diverse range of group activities and offerings to the public wherein we seek to define our work together further. As Black improvisers, we are eager to share our ongoing "research with the body." Presenting at PRELUDE: Davalois Fearon, Jasmine Hearn, Marguerite Hemmings, Angie Pittman, Charmaine Warren, Marýa Wethers, and Tara Aisha Willis. LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). The Skeleton Architecture collective was formed from the Danspace Project’s Platform 2016: Lost & Found in a singular, Bessie Award-winning evening called “the skeleton architecture, or the future of our worlds,” curated by guest curator Eva Yaa Asantewaa. The performance included: Maria Bauman, Sidra Bell, Davalois Fearon, Marjani Forté-Saunders, Melanie Greene, Kayla Hamilton, Jasmine Hearn, Marguerite Hemmings, Nia Love, Paloma McGregor, Sydnie L. Mosley, Rakiya Orange, Leslie Parker, Angie Pittman, Samantha Speis, Charmaine Warren, Marýa Wethers, Edisa Weeks, Ni’Ja Whitson, and Tara Aisha Willis. Explore more performances, talks and discussions at PRELUDE 2024 See What's on

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Watch MUSE by Pete O'Hare/Warehouse Films at the Segal Film Festival on Theatre and Performance 2024. An intimate journey with the founder of a one-of-a-kind circus space hanging on by a thread in Brooklyn, NY. The Martin E. Segal Theater Center presents MUSE At the Segal Theatre Film and Performance Festival 2024 A film by Pete O'Hare/Warehouse Films Theater, Circus / Movement, Documentary, Performance Art This film will be available to watch online on the festival website May 16th onwards for 3 weeks, and it will also be screened in-person on May 20th. About The Film Country United States Language English Running Time 10 minutes Year of Release 2024 An intimate journey with the founder of a one-of-a-kind circus space hanging on by a thread in Brooklyn, NY. Director/Producer/DP: Pete O'Hare Editor: Raven Dahlin Score: Forest Christenson About The Artist(s) Pete O’Hare is an Emmy-nominated Director and Cinematographer based in New York City, born and raised in Cleveland, OH. Coming from a musical background, he loves how a well-composed frame can transport you to another place. Pete directed the mini documentaries "A Day In September" and "Baby Boy A", and has filmed for ESPN+, Netflix, McDonald’s, General Electric, 3M, New York Knicks, NBC, MTV, National Geographic, Samsung, Verizon, Sprint, Whole Foods, and Vogue Italia, among others. Get in touch with the artist(s) pete@warehousefilms.com and follow them on social media https://www.peteohare.com/, https://vimeo.com/peteohare, https://www.instagram.com/pete_ohare/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

IT'S A PARTY!! presents Prelude 2024 Closing Party at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 Prelude 2024 Closing Party IT'S A PARTY!! 9pm Sunday, October 20, 2024 The Tank, 312 West 36th Street RSVP Join us to celebrate Prelude with a closing party at The Tank! Additional details to be announced soon. LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). Explore more performances, talks and discussions at PRELUDE 2024 See What's on

NOELLE GHOUSSAINI presents A shadow of light: a ritual gathering at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 A shadow of light: a ritual gathering NOELLE GHOUSSAINI 4-4:50pm Thursday, October 17, 2024 The Segal Theatre RSVP A shadow of light: a ritual gathering offers a mystical experience of homecoming. Bringing together embodied meditation, a collective altar, performance & ritual, we gather in sacred connection to honor our bodies, spirits, ancestors & our natural belonging to each other & the earth. Rooted in the belief that communal sacred spaces are essential to our collective wellbeing and liberation, participants are invited to both witness and take part in this ritual gathering. An iteration of a shadow of light was explored & developed at the Mercury Store in 2023. LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). Noelle Ghoussaini (she/her) creates performance, ritual and sacred gathering with and for community. Each embodied experience aims to nurture freedom in the very fabric of our being; cultivating connection with our inherent belonging to the world around and within us. Noelle works at sites ranging from public parks to detention centers, from theatres to community spaces. As a Lebanese-American who grew up across three continents, Noelle is dedicated to collective liberation & decolonial creative practice; her visions thread together artistic and sacred spaces of homecoming. www.noelleghoussaini.com @noelleghoussaini Explore more performances, talks and discussions at PRELUDE 2024 See What's on

Watch QUEENDOM by Agniia Galdanova at the Segal Film Festival on Theatre and Performance 2024. Like a young David Bowie from another planet, the whole world is one giant catwalk for intrepid 21-year-old queer artist Gena. She grew up in the far reaches of Russia, in a town built on top of an old gulag camp. Today, she stages her radical performances in supermarkets, metro stations and in the middle of Moscow streets in an alternative protest against the way LGBTQ+ people are treated in Putin’s extremely conservative Russia. People shout at her, and Gena calmly responds. With never-failing support from her grandmother, she acts out all the creatures that live inside her through her spectacular costumes, which she often makes out of tape and junk. Agniia Galdanova’s beautiful and atmospheric film is not so much a portrait as it is a direct cinematic extension of Gena’s inner universe. In other words, a film in the field between art and activism, between documentary and science fiction, and between an old and a young Russia. The Martin E. Segal Theater Center presents QUEENDOM At the Segal Theatre Film and Performance Festival 2024 A film by Agniia Galdanova Documentary, Performance Art This film will be screened in-person on May 16th About The Film Country United States / France Language Russian, English Running Time 98 minutes Year of Release 2023 Like a young David Bowie from another planet, the whole world is one giant catwalk for intrepid 21-year-old queer artist Gena. She grew up in the far reaches of Russia, in a town built on top of an old gulag camp. Today, she stages her radical performances in supermarkets, metro stations and in the middle of Moscow streets in an alternative protest against the way LGBTQ+ people are treated in Putin’s extremely conservative Russia. People shout at her, and Gena calmly responds. With never-failing support from her grandmother, she acts out all the creatures that live inside her through her spectacular costumes, which she often makes out of tape and junk. Agniia Galdanova’s beautiful and atmospheric film is not so much a portrait as it is a direct cinematic extension of Gena’s inner universe. In other words, a film in the field between art and activism, between documentary and science fiction, and between an old and a young Russia. In press notes About The Artist(s) in press notes Get in touch with the artist(s) igormyakotin@gmail.com and follow them on social media Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

ASHIL LEE, LÉOH HAILU-GHERMAY, AMANDA HOROWITZ + S T A R R BUSBY presents Group Date: a conversation at the PRELUDE 2024 Festival at the Martin E. Segal Theater Center CUNY. PRELUDE Festival 2024 Group Date: a conversation ASHIL LEE, LÉOH HAILU-GHERMAY, AMANDA HOROWITZ + S T A R R BUSBY 4:30-5:20 pm Friday, October 18, 2024 Elebash Recital Hall RSVP Join us for a conversation between Prelude 2024 artists S T A R R busby, Léoh Hailu-Ghermay, Amanda Horowitz, and Ashil Lee. Prelude 2024 features artists working in different corners of the New York performance scene. These Group Date conversations present an opportunity to foster connections, new and otherwise, between the festival’s featured artists. LOBSTER Nora loves Patti Smith. Nora is Patti Smith. Nora is stoned out of her mind in the Chelsea Hotel. Actually, the Chelsea Hotel is her mind. Actually, the Chelsea Hotel is an out-of-use portable classroom in the Pacific Northwest, and that classroom is a breeding ground for lobsters. LOBSTER by Kallan Dana directed by Hanna Yurfest produced by Emma Richmond with: Anna Aubry, Chris Erdman, Annie Fang, Coco McNeil, Haley Wong Needy Lover presents an excerpt of LOBSTER , a play about teenagers putting on a production of Patti Smith and Sam Shepard's Cowboy Mouth . THE ARTISTS Needy Lover makes performances that are funny, propulsive, weird, and gut-wrenching (ideally all at the same time). We create theatre out of seemingly diametrically opposed forces: our work is both entertaining and unusual, funny and tragic. Needylover.com Kallan Dana is a writer and performer originally from Portland, Oregon. She has developed and presented work with Clubbed Thumb, The Hearth, The Tank, Bramble Theater Company, Dixon Place, Northwestern University, and Lee Strasberg Theatre & Film Institute. She is a New Georges affiliated artist and co-founder of the artist collaboration group TAG at The Tank. She received her MFA from Northwestern University. Upcoming: RACECAR RACECAR RACECAR with The Hearth/Connelly Theater Upstairs (dir. Sarah Blush), Dec 2024. LOBSTER with The Tank (dir. Hanna Yurfest), April/May 2025. Needylover.com and troveirl.com Hanna Yurfest is a director and producer from Richmond, MA. She co-founded and leads The Tank’s artist group TAG and creates work with her company, Needy Lover. Emma Richmond is a producer and director of performances and events. She has worked with/at HERE, The Tank, The Brick, and Audible, amongst others. She was The Tank’s 2022-23 Producing Fellow, and is a member of the artist group TAG. Her day job is Programs Manager at Clubbed Thumb, and she also makes work with her collective Trove, which she co-founded. www.emma-richmond.com Rooting for You The Barbarians It's the Season Six premiere of 'Sava Swerve's: The Model Detector' and Cameron is on it!!! June, Willa, and (by proximity) Sunny are hosting weekly viewing parties every week until Cameron gets cut, which, fingers crossed, is going to be the freakin' finale! A theatrical playground of a play that serves an entire season of 'so-bad-it's-good' reality TV embedded in the social lives of a friend group working through queerness, adolescence, judgment, and self-actualization. Presenting an excerpt from Rooting for You! with loose staging, experimenting with performance style, timing, and physicality. THE ARTISTS Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed ) and Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Phoebe Brooks is a gender non-conforming theater artist interested in establishing a Theatre of Joy for artists and audiences alike. A lifelong New Yorker, Phoebe makes art that spills out beyond theater-going conventions and forges unlikely communities. They love messing around with comedy, heightened text, and gender performance to uncover hidden histories. She's also kind of obsessed with interactivity; particularly about figuring out how to make audience participation less scary for audiences. Phoebe has a BA in Theatre from Northwestern University and an MFA in Theatre Directing from Columbia University's School of the Arts. The Barbarians is a word-drunk satirical play exploring political rhetoric and the power of words on the world. With cartoonish wit and rambunctious edge, it asks: what if the President tried to declare war, but the words didn't work? Written by Jerry Lieblich and directed by Paul Lazar, it will premiere in February 2025 at LaMama. The Barbarians is produced in association with Immediate Medium, and with support from the Venturous Theater Fund of the Tides Foundation. THE ARTISTS Jerry Lieblich (they/them) plays in the borderlands of theater, poetry, and music. Their work experiments with language as a way to explore unexpected textures of consciousness and attention. Plays include Mahinerator (The Tank), The Barbarians (La Mama - upcoming), D Deb Debbie Deborah (Critic’s Pick: NY Times), Ghost Stories (Critic’s Pick: TimeOut NY), and Everything for Dawn (Experiments in Opera). Their poetry has appeared in Foglifter, Second Factory, TAB, Grist, SOLAR, Pomona Valley Review, Cold Mountain Review, and Works and Days. Their poetry collection otherwise, without was a finalist for The National Poetry Series. Jerry has held residencies at MacDowell, MassMoCA, Blue Mountain Center, Millay Arts, and UCROSS, and Yiddishkayt. MFA: Brooklyn College. www.thirdear.nyc Paul Lazar is a founding member, along with Annie-B Parson, of Big Dance Theater. He has co-directed and acted in works for Big Dance since 1991, including commissions from the Brooklyn Academy of Music, The Old Vic (London), The Walker Art Center, Classic Stage Co., New York Live Arts, The Kitchen, and Japan Society. Paul directed Young Jean Lee’s We’re Gonna Die which was reprised in London featuring David Byrne. Other directing credits include Bodycast with Francis McDormand (BAM), Christina Masciotti’s Social Security (Bushwick Starr), and Major Bang (for The Foundry Theatre) at Saint Ann’s Warehouse. Awards include two Bessies (2010, 2002), the Jacob’s Pillow Creativity Award (2007), and the Prelude Festival’s Frankie Award (2014), as well an Obie Award for Big Dance in 2000. Steve Mellor has appeared on Broadway (Big River ), Off-Broadway (Nixon's Nixon ) and regionally at Arena Stage, Long Wharf Theater, La Jolla Playhouse, Portland Stage and Yale Rep. A longtime collaborator with Mac Wellman, Steve has appeared in Wellman's Harm’s Way, Energumen, Dracula, Cellophane, Terminal Hip (OBIE Award), Sincerity Forever, A Murder of Crows, The Hyacinth Macaw, 7 Blowjobs (Bessie Award), Strange Feet, Bad Penny, Fnu Lnu, Bitter Bierce (OBIE Award), and Muazzez . He also directed Mr. Wellman's 1965 UU. In New York City, he has appeared at the Public Theater, La Mama, Soho Rep, Primary Stages, PS 122, MCC Theater, The Chocolate Factory, and The Flea. His film and television credits include Sleepless in Seattle, Mickey Blue Eyes, Celebrity, NYPD Blue, Law and Order, NY Undercover, and Mozart in the Jungle. Chloe Claudel is an actor and director based in NYC and London. She co-founded the experimental company The Goat Exchange, with which she has developed over a dozen new works of theater and film, including Salome, or the Cult of the Clitoris: a Historical Phallusy in last year's Prelude Festival. She's thrilled to be working with Paul and Jerry on The Barbarians . Anne Gridley is a two time Obie award-winning actor, dramaturg, and artist. As a founding member of Nature Theater of Oklahoma, she has co-created and performed in critically acclaimed works including Life & Times, Poetics: A Ballet Brut, No Dice, Romeo & Juliet, and Burt Turrido . In addition to her work with Nature Theater, Gridley has performed with Jerôme Bel, Caborca, 7 Daughters of Eve, and Big Dance, served as a Dramaturg for the Wooster Group’s production Who’s Your Dada ?, and taught devised theater at Bard College. Her drawings have been shown at H.A.U. Berlin, and Mass Live Arts. B.A. Bard College; M.F.A. Columbia University. Naren Weiss is an actor/writer who has worked onstage (The Public Theater, Second Stage, Kennedy Center, Geffen Playhouse, international), in TV (ABC, NBC, CBS, Comedy Central), and has written plays that have been performed across the globe (India, Singapore, South Africa, U.S.). Upcoming: The Sketchy Eastern European Show at The Players Theatre (Mar. '24). S T A R R busby (they/she/he/we - all pronouns said with respect) is a Black experimental artist who sings, acts, composes, educates, and is committed to the liberation of all people. A recent recipient of a NYSCA grant, S T A R R leads a music project under their name which will release a debut project in 2024 - Working Up A Surrender . She is also the lead singer of dance&b band People's Champs ( www.peopleschampsnyc.com ) which released their latest project, Show Up, in the Fall of 2023. S T A R R has also supported and collaborated with artists such as The Gorillaz, Esperanza Spalding, Son Lux, X Ambassadors, Kimbra, Alice Smith, and Quelle Chris. Selected credits: If You Unfolded Us (Sable Elyse Smith, MoMA); Rest Within the Wake (James Allister Sprang, Baryshnikov Arts Center, Featured Soloist); (pray) (Ars Nova and National Black Theatre, A Singer, Composer, and Music Director)*Lucille Lortel Award Winner; The Beautiful Lady (La Mama, Boris); On Sugarland (NYTW, co-composer); Octet (Signature Theatre, Paula) *Drama Desk Award Winner; Mikrokosmos, Sterischer Herbst (Graz), Nottingham Contemporary; The Girl with the Incredible Feeling , Spoleto Festival dei Due Mondi. All music available via Bandcamp and all streaming services. Love, gratitude and ashé to my blessed honorable ancestors, especially MME. linktr.ee/S_T_A_R_R Léoh Hailu-Ghermay is a first generation Tigrayan-American, Black queer artist, activist, and law student living on occupied Munsee-Lenape and Canarsie Land (Brooklyn, NY). Select theater/performance art credits: Phyllida in Galatea (Flea Theater), Euridike in Antigonick (Playwrights Horizons), Bonzai/Husband in The Good Person of Setzuan (Atlantic Stage 2), Soloist in The Rave Revue (Prospect Theater Co.), Newmama in Letters in the Dirt (The Brick), Kunty Kracker Kyle in Chaotic Good (The Tank), and Mrs. Jennings in Episode (Metropolitan Playhouse). They’re thrilled to be showing their Work in Progress at Prelude! Amanda Horowitz is an interdisciplinary artist working between performance and sculpture. She writes and directs theater using experimental and collaborative methods. Past performance projects include: Heavenly Fools (Mason Gross Playwrights Festival, 2023), Bad Stars (2023, STARS Gallery), Bad Water True West (2022, Bad Water Gallery), Suddenly, This Summer (2019, PAM), The Plumbing Tree (by Medium Judith, 2018/19, Highways Performance Space and Human Resources LA). She was the co-founder and director of Medium Judith (extg, 2013-2019), a theater collaboration with Bully Fae Collins. Amanda holds a double MFA in Visual Art and Playwriting from Rutgers University. Ashil Lee (he/they) NYC-based actor, playwright, director, and sex educator. Korean-American, trans nonbinary, child of immigrants, bestie to iconic pup Huxley. Described as "a human rollercoaster" and "Pick a lane, buddy!" by that one AI Roast Bot. 2023 Lucille Lortel nominee (Outstanding Ensemble: The Nosebleed) Clubbed Thumb Early Career Writers Group Alum. NYU: Tisch. BFA in Acting, Minor in Youth Mental Health. Masters Candidate in Mental Health and Wellness (NYU Steinhardt: 20eventually), with intentions of incorporating mental health consciousness into the theatre industry. www.ashillee.com Explore more performances, talks and discussions at PRELUDE 2024 See What's on

Martin E. Segal Born July 4, 1916 in Vitebsk, Russia. Died August 5, 2012 in New York City. (click here to read the New York Times Obituary ) Officer, Board and Committee Memberships: Founder (1939), The Segal Company, international consultants and actuaries for employee benefit plans; President, 1939-1967; Chairman, 1967-1991; Chairman Emeritus and consultant – 1991-2012 Founder and Chairman, Board of Directors – The New York International Festival of the Arts, Inc., 1985 until discontinuation in 2002 The American-Scandinavian Foundation – Trustee, 1986-1991; Advisory Trustee, 1991-2012 The ASCAP Foundation – Member of the Board of Directors, 1997-2003 American Theatre Wing – Member of Advisory Committee/Tony Voter, 2000-2008 Board of Hospitals, City of New York – Member of the Board, 1962-1970 City Center of Music and Drama, Inc. – Member, Board of Directors and Chairman of the Executive Committee, 1971-1974; also Treasurer, 1974; Governor Emeritus – 1974-2012 Commission for Cultural Affairs of the City of New York (predecessor to Advisory Commission for Cultural Affairs)– appointed by Mayor Beame as first Chairman, 1975-1977 Cultural Assistance Center (predecessor to Alliance for the Arts) – Founder and President 1974-1982; Chairman, 1982-1984; named Honorary Chairman in 1984 Film Guild of New York – Founder (1940-1941) The Film Society of Lincoln Center, Inc. – Founding President and CEO, 1968-1978; Founder and President Emeritus, 1978-2012 The Glenridge Performing Arts Center, Sarasota, Florida – Member, Board of Advisors, 2004-2012 The Graduate School and University Center of The City University of New York – Member, Board of Visitors, 1983-1996 Member, Board of Trustees, The Graduate Center Foundation, Inc., 1996-2008 Vice Chairman, 2003-2008 Harvard University – Member, Visiting Committee, School of Public Health, 1979-1992; Member, Dean’s Council, School of Public Health, 1990-2006; Member, Board of Advisors, Center for Health Communication Mentoring Program at School of Public Health, Harvard School of Public Health, 2003-2012 The Institute for Advanced Study, Princeton – Trustee, 1972-1991 (positions included member of Executive Committee, Chairman of Finance Committee and Chairman of Review Committee); Trustee Emeritus, 1991-2012 The Library of America – Founding Advisor, 1984-2012; Sole Honorary Member of the Board of Directors, 2005-2012 Lincoln Center for the Performing Arts, Inc. – Vice Chairman, 1978-1981; Chairman, 1981-1986; Chairman Emeritus, 1986-2012 Mayor’s Committee on Cultural Policy, NYC – Chairman, 1974 The George Meany Center– Member, Board of Trustees, 2001-2010; Trustee Emeritus, 2010-2012 Mount Sinai Hospital – Trustee, 1966-1970 Museum of Modern Art – Member, Board of Trustees, and Chairman, Exhibitions Committee 1978-1981 (retired from Board) Musica Sacra – Member, Honorary Council, 2001-2012 National Building Museum – Member, Board of Directors, 1983-1991 National Urban League – Member of National Board, 1961-1970; Vice President, 1967-1970; Chairman of the National Urban League’s First Equal Opportunity Day Dinner, November, 1961 New York City Health and Hospitals Corporation – (Mayor Lindsay’s first appointee), Member of the Board, Chairman of Finance Committee and Member of Executive Committee, 1970-1972 Office for the Arts at Harvard – Member of Advisory Committee, 1993-1999; Member of Council, 1999-2012 The Public Interest – Founding Member; Publication Committee, 1965-2002 (The Public Interest discontinued publication in 2005.) Public Radio International (formerly known as American Public Radio) – Founding Member, Board of Directors, 1981-1994; Director Emeritus, 1994-1998; Counselor at Large – 1998-2012 Helena Rubinstein Foundation, Inc. – Member, Board of Directors, 1972-1995 S.L.E. Lupus Foundation – Member, Board of Directors, 2000-2012 The Statue of Liberty-Ellis Island Foundation, Inc. – Member, Board of Directors, 2000-2004; Member of Executive Committee, 2002-2004 The Studio In A School Association – Member, Advisory Board, 1988-2012 Theatre Development Fund – Member, Advisory Council, 1992-2012 Town Hall Foundation – Member, Advisory Council, 1986-2012 Young Audiences, Inc. – Member, National Board, 1979-2012 Mr. Segal was Organizing Co-Chairman of the International Conference on the Future of Arts Education – November 11-13, 1999 He was General Chairman of “Night of 100 Stars II” (first AIDS benefit – The Actors’ Fund of America– held on February 17, 1985). In 1979, Mr. Segal was co-chairman of the mission to lay the basis for cultural exchanges between the United States and China via the Center for United States-China Arts Exchange; visited China with the U.S. delegation, as co-chairman, for this purpose (March 8-23, 1979). Mr. Segal served on the Advisory Council of the Center for United States-China Arts Exchange from 1982-1988. He served on the Board of the Fund for the City of New York from 1978-1987 and was Chairman of its Public Service Awards Committee in 1978 and 1979. Mr. Segal was a Partner, Wertheim & Co. from1967-82 and President (1972-1975) and subsequently Chairman (1975-1982) of Wertheim Asset Management Services. He is a former columnist for the Associated Press. Honorary Degrees: New York University – Doctor of Humane Letters (1988) The Juilliard School – Doctor of Humane Letters (2006) Graduate Center of The City University of New York – Doctor of Humane Letters (1979) Mannes College of Music – Doctor of Music (1976) Pratt Institute – Doctor of Humane Letters (1976) Long Island University – Doctor of Humane Letters (1986) Manhattan School of Music – Doctor of Music Honoris Causa (1999) Commendations and Awards (in order received): International Film Importers and Distributors of America (1973) The Municipal Art Society of New York – Certificate of Merit “for his innumerable contributions to the well-being of the City…” (1974) Third Street Music School Settlement – Award for Service to Music (1981) Museum of the City of New York – Annual Award of Distinction, in recognition of outstanding contributions to the cultural life of New York (1982) Mayor’s Award of Honor for Arts and Culture – New York City (1982) Concert Artists Guild Award (1983) League of Women Voters of the City of New York Education Fund Award, in recognition of his leadership and public service to the cultural life of New York City” (1984) Royal Swedish Order of the Polar Star, King Carl XVI Gustaf of Sweden (1984) Ministry of Culture of The French Government – Officer of the Order of Arts and Letters (1984-2005) The International Center in New York, Inc. – Distinguished American of Foreign Birth Award (1985) Alumni and Friends of LaGuardia High School – annual Award for leadership in the arts community (1985) Alumni Association of the City College of New York – John H. Finley Medal (1985) Board of Directors/Lincoln Center for the Performing Arts – established annual Martin E. Segal Awards (1986) Town Hall – Friend of the Arts Award (1987) Lincoln Center for the Performing Arts, Inc. – First Directors Emeriti Award (1987) Songwriters’ Hall of Fame – Patron of the Arts Award (1988) National Federation of Music Clubs – Presidential Citation (1989) Creative Arts Rehabilitation Center – Public Spirit Award (1989) New York State Governor’s Arts Award (1989) The Graduate School and University Center of The City University of New York – President’s Award (1990) The National Arts Club – Medal of Honor (1992) Lincoln Center Laureate Award (1997) Museum of the City of New York – Our Town Treasure Award (1998) Arts Roundtable – Award of Honor (1998) Citizens Union of The City of New York – Civic Leadership Award (1998) The Martin E. Segal Theatre Center – CUNY Graduate Center (2000) The Acting Company – The Joan Warburg Humanitarian Award (2001) S.L.E. Lupus Foundation Award (2001) Alliance for the Arts – Honoree (2004) The American-Scandinavian Foundation – Honoree, 2004 The Chamber Music Society of Lincoln Center – Honoree (2005) New York Landmarks Conservancy – Living Landmark (2005) Ministry of Culture of The French Government – Commander of the Order of Arts and Letters (2005) The American Academy of Arts and Letters – Presidential Citation of Distinction (2009) The American-Scandinavian Foundation – Award for Distinguished Public Service – (2010) Club Affiliations: The Century Association The National Arts Club The Pilgrims of the United States

Watch Red Day by Besim Ugzmajli at the Segal Film Festival on Theatre and Performance 2024. Arsa, a deaf little girl, and her mother Dodona, an ex-actress, want to be part of “Festival of Performance”. Arsa is not on the list of participants but she and her mother are ready to do everything, only to show up on stage and present their unique story, which ends bloodily. The Martin E. Segal Theater Center presents Red Day At the Segal Theatre Film and Performance Festival 2024 A film by Besim Ugzmajli Theater, Film This film will be available to watch online on the festival website May 16th onwards for 3 weeks, as well as screened in-person on May 20th. About The Film Country Kosovo Language Albanian Running Time 15 minutes Year of Release 2022 Arsa, a deaf little girl, and her mother Dodona, an ex-actress, want to be part of “Festival of Performance”. Arsa is not on the list of participants but she and her mother are ready to do everything, only to show up on stage and present their unique story, which ends bloodily. https://filmfreeway.com/projects/2177983 About The Artist(s) Born in 1986 in Ferizaj, Republic of Kosovo, Studied in University of Prishtina, Faculty of Arts – Film and TV Directing. He has worked as writer and director in the biggest film company in Kosova, and in these last years in his own company Figurina Film’s, where he made his most awarded short films such as: Forgive me, The Path, Beyond the Gates. Get in touch with the artist(s) ugzmajlibesim@gmail.com and follow them on social media https://filmfreeway.com/projects/2177983 Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Dancing Pina by FLorian Heinzen-Ziob at the Segal Film Festival on Theatre and Performance 2024. Dancer and choreographer Pina Bausch was one of the most important contributors to the modern Tanztheater in the 20th century. Dancing Pina celebrates the art of the legendary dancer and the people who interpret her work today. Two of her dance projects show how young dancers from all over the world are rediscovering Pina’s unique choreographic style: the venerable Semperoper in Dresden, Germany, and the École des Sables in a fishing village near Dakar, Senegal. The young dancers are guided by former members of Pina Bausch’s Tanztheater company. But Pina is not someone who can simply be copied. The dancers have to re-live Pina’s choreographies with their bodies and their own stories. Like Sanguen Lee from South Korea, who was supposedly too tall to become a dancer. Or Gloria Ugwarelojo Biachi of Nigeria, who uses dance to represent her fight for equality. Or Julian Amir Lacey from the US, who had to overcome homophobic prejudices. It is a fascinating metamorphosis: While the performers of street dance, classical ballet and traditional and contemporary African dance forms transform Pina’s work, Pina’s choreographies transform the dancers. The Martin E. Segal Theater Center presents Dancing Pina At the Segal Theatre Film and Performance Festival 2024 A film by FLorian Heinzen-Ziob Dance, Documentary This film will be screened in-person on May 18th. About The Film Country Germany Language English Running Time 111 minutes Year of Release 2022 Dancer and choreographer Pina Bausch was one of the most important contributors to the modern Tanztheater in the 20th century. Dancing Pina celebrates the art of the legendary dancer and the people who interpret her work today. Two of her dance projects show how young dancers from all over the world are rediscovering Pina’s unique choreographic style: the venerable Semperoper in Dresden, Germany, and the École des Sables in a fishing village near Dakar, Senegal. The young dancers are guided by former members of Pina Bausch’s Tanztheater company. But Pina is not someone who can simply be copied. The dancers have to re-live Pina’s choreographies with their bodies and their own stories. Like Sanguen Lee from South Korea, who was supposedly too tall to become a dancer. Or Gloria Ugwarelojo Biachi of Nigeria, who uses dance to represent her fight for equality. Or Julian Amir Lacey from the US, who had to overcome homophobic prejudices. It is a fascinating metamorphosis: While the performers of street dance, classical ballet and traditional and contemporary African dance forms transform Pina’s work, Pina’s choreographies transform the dancers. Fontäne Film About The Artist(s) Born 1984 in Düsseldorf, Germany. Florian Heinzen-Ziob is a freelance director and producer and co-founder of Fontäne Film production. He studied media arts and film directing at the Academy of Media Arts in Cologne. As an author, director and producer he realized the three Cinema documentaries ORIGINAL COPY, GERMAN CLASS and DANCING PINA. His films have been shown at over a hundred film festivals worldwide, including Rotterdam Film Festival, Hot Docs Toronto, Sheffield DocFest and DOK.fest Munich, and have received several awards. He lives and works in Cologne, Germany. Get in touch with the artist(s) luisa.schwamborn@newdocs.de and follow them on social media https://www.newdocs.de/dancing-pina/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Die Kinder der Toten by Nature Theater of Oklahoma:Kelly Copper and Pavol Liska at the Segal Film Festival on Theatre and Performance 2024. Nature Theater of Oklahoma ventures the impossible: creating a film version of Elfriede Jelinek’s 666 page novel “Die Kinder der Toten”, an (as yet) untranslated German language masterpiece in which all the main characters are all undead, mute zombies… In September 2017 directors Kelly Copper and Pavol Liska worked on location in the Styrian mountainside town of Neuberg am der Murz with local citizens, farmers, grocers, brass bands, the fire department — even mountain rescue! — to stage some pretty awesome participatory theater, and eventually create what is sure to be a one-of-a-kind supernaturally super 8 film… The Martin E. Segal Theater Center presents Die Kinder der Toten At the Segal Theatre Film and Performance Festival 2024 A film by Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Theater, Film This film will be screened in-person on May 20th and also be available to watch online on the festival website May 16th onwards for a period of 3 weeks. About The Film Country Germany Language German Running Time 90 minutes Year of Release 2019 Nature Theater of Oklahoma ventures the impossible: creating a film version of Elfriede Jelinek’s 666 page novel “Die Kinder der Toten”, an (as yet) untranslated German language masterpiece in which all the main characters are all undead, mute zombies… In September 2017 directors Kelly Copper and Pavol Liska worked on location in the Styrian mountainside town of Neuberg am der Murz with local citizens, farmers, grocers, brass bands, the fire department — even mountain rescue! — to stage some pretty awesome participatory theater, and eventually create what is sure to be a one-of-a-kind supernaturally super 8 film… Produced by Ulrich Seidl Filmproduktion Vienna 2019 in collaboration with Steirischer Herbst 2017 Cast Andrea Maier, Greta Kostka, Klaus Unterrieder, Georg Beyer i. a. Written, Filmed, Directed and Edited by Kelly Copper & Pavol Liska Producer Ulrich Seidl Artistic Collaboration Claus Philipp Co-Edited by Michael Palm Supervising Sound Designer Matz Müller Re-Recording Tobias Fleig Composer Wolfgang Mitterer Line Producer Georg Aschauer, Daniela Trauner Production Managers Jakob Schwighofer, Teresa-Saija Wieser Producer USFP Claus Philipp, Georg Aschauer About The Artist(s) Nature Theater of Oklahoma is an award-winning New York art and performance enterprise under the direction of Pavol Liska and Kelly Copper. With each new project, we attempt to set an impossible challenge for ourselves, the audience, and our collaborators — working from inside the codes and confines of established genres and exploding them. No two projects are formally the same, but the work is always full of humor, earnestness, rigor, and the audience plays an essential role -- whether as spectators or - just as often - as participants in the work. Using readymade material, found space, gifted properties, cosmic accident, extreme formal manipulation and plain hard work — Nature Theater of Oklahoma makes art to affect a shift in the perception of everyday reality that extends beyond the site of performance and into the world in which we live. Get in touch with the artist(s) naturetheater.private@gmail.com and follow them on social media https://oktheater.org/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch ELFRIEDE JELINEK - LANGUAGE UNLEASHED by Claudia Müller at the Segal Film Festival on Theatre and Performance 2024. Child prodigy, scandalous author, traitor to the fatherland, feminist, fashion lover, communist, language terrorist, rebel, enfant terrible, nest fouler, brilliant, vulnerable artist. Claudia Müller's film about Elfriede Jelinek, who in 2004 was the first German speaking female writer to be awarded the Nobel Prize for Literature, focuses on her artistic approach to language. ELFRIEDE JELINEK - LANGUAGE UNLEASHED is a multi-layered, associative film portrait, full of contradictions; it approaches the linguistic montage technique of the artist from her very own close perspective. (production note) “Look at me NOW!” says Elfriede Jelinek at the beginning of ELFRIEDE JELINEK - LANGUAGE UNLEASHED. She holds a piece of paper up to the camera, which she lowers briefly to reveal her face. On the paper is an arithmetic problem that explains the image onscreen. It is an arrangement that forces us to read – or rather, we read in order to see – and Jelinek writes in order to be seen. Seeing, in the sense of recognizing. Jelinek is shown on the move, in Vienna and other cities, in different decades. The journey begins with the Nobel Prize – Jelinek was the first Austrian to receive the Nobel Prize in Literature – and works its way along specific themes that characterize the author’s work. Filmmaker Claudia Müller has made a name for herself with documentaries about such diverse personalities as Jenny Holzer, Shirin Neshat, VALIE EXPORT, and Helmut Lang. Here she works with her cinematographer Christine A. Maier with enthusiasm and aplomb, arranging current recordings and archive materials by, with, and about Jelinek into a portrait of the author. The range of the material is astonishing and manages to surprise again and again with something hitherto unknown. Müller and editor Mechthild Barth repeatedly opt for outtakes and peripheral materials, which allows us to enjoy film clips of Jelinek with her dog, for example, or holding a stack of prize money. They are images that offer resistance to the public image that is determined by a very different set of attributes. Texts read off-screen (by Stefanie Reinsperger and Sandra Hüller, among others) and material relating to dramatic events in contemporary Austrian history (such as the assassination of four Roma in Oberwart in 1995 and the massacre in Rechnitz in March 1945) complement the multi-layered collage of historical and contemporary materials. “... Everything has really been said,” Jelinek states towards the end. The author no longer appears in public nor explains anything. While Claudia Müller concentrates entirely on Jelinek’s work and thus her language, Müller’s film now gives us the opportunity to see – and to understand beyond one-dimensional causalities. (Sylvia Szely) The Martin E. Segal Theater Center presents ELFRIEDE JELINEK - LANGUAGE UNLEASHED At the Segal Theatre Film and Performance Festival 2024 A film by Claudia Müller Theater, Documentary This film will be screened in-person on May 18th. About The Film Country Germany, Austria Language German Running Time 96 minutes Year of Release 2022 Child prodigy, scandalous author, traitor to the fatherland, feminist, fashion lover, communist, language terrorist, rebel, enfant terrible, nest fouler, brilliant, vulnerable artist. Claudia Müller's film about Elfriede Jelinek, who in 2004 was the first German speaking female writer to be awarded the Nobel Prize for Literature, focuses on her artistic approach to language. ELFRIEDE JELINEK - LANGUAGE UNLEASHED is a multi-layered, associative film portrait, full of contradictions; it approaches the linguistic montage technique of the artist from her very own close perspective. (production note) “Look at me NOW!” says Elfriede Jelinek at the beginning of ELFRIEDE JELINEK - LANGUAGE UNLEASHED. She holds a piece of paper up to the camera, which she lowers briefly to reveal her face. On the paper is an arithmetic problem that explains the image onscreen. It is an arrangement that forces us to read – or rather, we read in order to see – and Jelinek writes in order to be seen. Seeing, in the sense of recognizing. Jelinek is shown on the move, in Vienna and other cities, in different decades. The journey begins with the Nobel Prize – Jelinek was the first Austrian to receive the Nobel Prize in Literature – and works its way along specific themes that characterize the author’s work. Filmmaker Claudia Müller has made a name for herself with documentaries about such diverse personalities as Jenny Holzer, Shirin Neshat, VALIE EXPORT, and Helmut Lang. Here she works with her cinematographer Christine A. Maier with enthusiasm and aplomb, arranging current recordings and archive materials by, with, and about Jelinek into a portrait of the author. The range of the material is astonishing and manages to surprise again and again with something hitherto unknown. Müller and editor Mechthild Barth repeatedly opt for outtakes and peripheral materials, which allows us to enjoy film clips of Jelinek with her dog, for example, or holding a stack of prize money. They are images that offer resistance to the public image that is determined by a very different set of attributes. Texts read off-screen (by Stefanie Reinsperger and Sandra Hüller, among others) and material relating to dramatic events in contemporary Austrian history (such as the assassination of four Roma in Oberwart in 1995 and the massacre in Rechnitz in March 1945) complement the multi-layered collage of historical and contemporary materials. “... Everything has really been said,” Jelinek states towards the end. The author no longer appears in public nor explains anything. While Claudia Müller concentrates entirely on Jelinek’s work and thus her language, Müller’s film now gives us the opportunity to see – and to understand beyond one-dimensional causalities. (Sylvia Szely) Director Claudia Müller Cinematography Christine A. Maier Composer Eva Jantschitsch Editing Mechthild Barth Sound Design Johannes Schmelzer-Ziringer Dramaturgical Advisor Brigitte Landes Narrator Ilse Ritter, Sophie Rois, Stefanie Reinsperger, Sandra Hüller, Martin Wuttke, Maren Kroymann Production Martina Haubrich, CALA Film, Claudia Wohlgenannt, Plan C Film Production Manager Hanne Lassl Participant Elfriede Jelinek Supported by Filmförderung der BKM (Beauftragte der Bundesregierung für Kultur und Medien), Arte, BR, DFFF, ÖFI - Österreichisches Filminstitut, Filmfonds Wien, FISA Filmstandort Austria, ORF Archival Research ORF Silvia Heimader About The Artist(s) Claudia Müller, born in 1964, is a German documentary filmmaker based in Berlin. She is known for her several excellent film portraits dedicated especially to international female artists. Müller has a profound knowledge of production and theory of contemporary art, as well as an intimate insight of the art scene; during almost three decades she has built up connections with artists all over the world. After her studies of German Literature, Journalism and Arts at Universities in Berlin and Cologne she worked with Peter Greenaway and Krzystof Zanoussi. Since 1991 she has been an independent television journalist and director, making numerous film documentaries. She founded her own production company PHLOX Films in 2007 (www.phlox-films.de ) Claudia Müller is particularly interested in the visual arts, with films presenting the work of artists such as Jenny Holzer (2009), Shirin Neshat (2010), Cindy Sherman (2009), Kiki Smith (2014), VALIE EXPORT (2015), Katharina Grosse (2020), Heidi Bucher (2021) as well as writer and theater director Hans Neuenfels (2011) and designer and artist Helmut Lang (2015). With her ongoing landmark documentary series Women Artists Claudia Müller has featured Katharina Grosse, Annette Messager, Berlinde de Bruyckere, Monica Bonvicini, Tatiana Trouvé, and Ursula von Rydingsvard. More than 80 female artists from varied geographical and cultural contexts have been represented in this comprehensive project. Her work has contributed to the ongoing debate on identity, gender, sexuality, feminism, female esthetics, and the visibility of women in the arts. The DVD was published by Walther König Publisher (2019). Her latest documentary series project, Art in the Desert, was broadcasted on Arte in 2019. Müller currently finished a feature-length documentary on the Austrian Nobel Prize winning writer, Elfriede Jelinek. Get in touch with the artist(s) dietmar@sixpackfilm.com and follow them on social media https://sixpackfilm.com/en/catalogue/filmmaker/7082/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch The Hamlet Syndrome by Elwira Niewiera & Piotr Rosolowski at the Segal Film Festival on Theatre and Performance 2024. A few months prior to Russia’s full-scale invasion of Ukraine in 2022, five young women and men participate in a unique stage production that attempts to relate their war experiences to Shakespeare’s Hamlet. For each of them, the stage is a platform to express their grief and trauma through the famous question, “to be or not to be,” a dilemma that applies to their own lives. The Martin E. Segal Theater Center presents The Hamlet Syndrome At the Segal Theatre Film and Performance Festival 2024 A film by Elwira Niewiera & Piotr Rosolowski Theater, Documentary, Film This film will be screened in-person on May 20th. About The Film Country Poland / Germany Language Ukrainian Running Time 85 minutes Year of Release 2022 A few months prior to Russia’s full-scale invasion of Ukraine in 2022, five young women and men participate in a unique stage production that attempts to relate their war experiences to Shakespeare’s Hamlet. For each of them, the stage is a platform to express their grief and trauma through the famous question, “to be or not to be,” a dilemma that applies to their own lives. https://www.hamletsyndrome.com About The Artist(s) Elwira Niewiera & Piotr Rosolowski are acclaimed polish germany filmmakers. Get in touch with the artist(s) magdalenakaminska@me.com and follow them on social media https://www.hamletsyndrome.com Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch The End Is Not What I Thought It Would Be by Andrea Kleine at the Segal Film Festival on Theatre and Performance 2024. In December 2020, Andrea Kleine and Bobby Previte moved into The Chocolate Factory Theater and lived alone in the pandemic-shuttered New York City venue for two weeks. They arrived with an air mattress, a toaster oven, a cooler of frozen Trader Joe’s meals, and an inflatable kiddie pool to bathe in. Every night they performed on stage for no one. Completely unscripted, the result is a hilarious and heart-breaking film about what it means to be a performer without an audience. The Martin E. Segal Theater Center presents The End Is Not What I Thought It Would Be At the Segal Theatre Film and Performance Festival 2024 A film by Andrea Kleine Theater, Documentary, Film, Performance Art This film will be available to watch online on the festival website May 16th onwards for 3 weeks. About The Film Country United States Language English Running Time 82 minutes Year of Release 2022 In December 2020, Andrea Kleine and Bobby Previte moved into The Chocolate Factory Theater and lived alone in the pandemic-shuttered New York City venue for two weeks. They arrived with an air mattress, a toaster oven, a cooler of frozen Trader Joe’s meals, and an inflatable kiddie pool to bathe in. Every night they performed on stage for no one. Completely unscripted, the result is a hilarious and heart-breaking film about what it means to be a performer without an audience. A film by Andrea Kleine. Featuring Andrea Kleine and Bobby Previte as “themselves.” Music by Bobby Previte. Lighting Design by Madeline Best. Commissioned by The Chocolate Factory Theater with funds from the New York State Council on the Arts. Additional funds provided by the Foundation for Contemporary Arts Emergency Grant Program. An official selection of the 2022 Ji.hlava International Documentary Film Festival. About The Artist(s) Andrea Kleine is a performance artist and the author of the novels, CALF, a Publishers' Weekly Best Fiction Book of 2015; and EDEN, named one of "Summer's Smartest and Most Innovative Thrillers" by Vanity Fair and a finalist for a Publishing Triangle Award in LGBTQ fiction. Her work includes fiction, essays, performances, and, most recently, films. She is a five-time MacDowell fellow, a Ucross fellow, and a New York Foundation for the Arts fellow. Her critically acclaimed performance works have been presented extensively since the 1990s, and for which she has received numerous commissions, grants, and awards. She has been described as an "enigmatic and eccentric" (The New York Times), "brainy, allusive Downtown artist" (The Village Voice), whose work is "wry, poignant" (The New York Times), "something like genius" (ArtVoice), and “fiercely engages with the complexities of the cruelty we impose on each other as individuals and as a society” (Bomb). Get in touch with the artist(s) andrea@andreakleine.com and follow them on social media https://www.andreakleine.com , https://www.instagram.com/andreaandreakleine Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Chinoiserie Redux by Ping Chong at the Segal Film Festival on Theatre and Performance 2024. Chinoiserie Redux is a multi media film by Ping Chong with historic arc touching on first encounter between Qianlong, the Celestial Emperor of China and Lord George Macartney, the trade emissary from King George III of England in 1793 and West relations including the events leading up to the Opium War, the European obsession and addiction to tea, the history of Chinese settlers in America, the murder of Vincent Chin in Detroit in 1982 and the continuing trade disputes between China and America. Chinoiserie Redux is inspired by Ping Chong’s earlier theatrical work of the same name. Chinoiserie Redux connects the present day and the personal with an historical past still being felt today. The Martin E. Segal Theater Center presents Chinoiserie Redux At the Segal Theatre Film and Performance Festival 2024 A film by Ping Chong Theater, Documentary, Film, Multimedia, Performance Art, Puppetry This film will be available to watch online on the festival website May 16th onwards for 3 weeks, as well as screened in-person on May 20th. About The Film Country United States Language English Running Time 78 minutes Year of Release 2023 Chinoiserie Redux is a multi media film by Ping Chong with historic arc touching on first encounter between Qianlong, the Celestial Emperor of China and Lord George Macartney, the trade emissary from King George III of England in 1793 and West relations including the events leading up to the Opium War, the European obsession and addiction to tea, the history of Chinese settlers in America, the murder of Vincent Chin in Detroit in 1982 and the continuing trade disputes between China and America. Chinoiserie Redux is inspired by Ping Chong’s earlier theatrical work of the same name. Chinoiserie Redux connects the present day and the personal with an historical past still being felt today. Conceived and Directed by Ping Chong; Written by Ping Chong and Michael Matthews; Assistant Director, Cinematographer, Editor, and Production Coordinator Kristina Varshavskaya; Costume Design Stefani Mar; Lighting Design Hao Bai; Sound Design Ernesto Valenzuela; Make-up Artist and Design Amanda Briskin-Wallace; Production Assistant Destiny Castro ;Shadow Puppet Creators Stephen Kaplin and Kuang-Yu; Animators Zakaria Khafagy and Jaime Sunwoo; Cast: Ping Chong, Christopher Caines, Hyunmin Rhee, Wale Adebiyi (Voice Over), Amaris Harney, Richard Chang, Valois Mickens, George Drance, Monique Holt Produced by Ping Chong and Company About The Artist(s) Ping Chong (Director) is an internationally acclaimed interdisciplinary artist, and founder and Artistic Director Emeritus of Ping Chong and Company in New York City. In his over 50-year career, he has created over 100 major works for the stage, as well as video and visual arts installations. He is the recipient of two BESSIE awards, a Doris Duke Performing Artist Award, a Ford Foundation Art of Change Fellowship, and the National Medal of Arts. In 2023, he received an OBIE award, his third, for Lifetime Achievement. Ping Chong and Company (Producer) creates theater and art that reveal beauty, invention, precision, and a commitment to social justice. Originally founded in New York City in 1975, today the company is a highly adaptive and supportive home base for multigenerational, interdisciplinary artists with generative theater practices. The company creates original interdisciplinary, community-specific work; and cultivates artistry through training and education programs. Get in touch with the artist(s) info@pingchong.org and follow them on social media www.pingchong.org @pingchongco (FB, Twitter, IG) Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch My virtual body and my double by Simon Senn / Bruno Deville at the Segal Film Festival on Theatre and Performance 2024. In the style of a digital conference, Mon corps virtuel et mon double (My virtual body and my double) plunges us into the testimony of the artist Simon Senn who has the disturbing experience of embodying the digital replica of a female body thanks to virtual reality. Together with programmer Tammara Leites, he also creates an artificial intelligence powered by his own personal data and capable of writing. A film that reveals the unexpected entanglement between technology and human beings. The Martin E. Segal Theater Center presents My virtual body and my double At the Segal Theatre Film and Performance Festival 2024 A film by Simon Senn / Bruno Deville Theater This film will be available to watch online May 16th onwards for 3 weeks. About The Film Country Switzerland Language French, with subtitles in German & English Running Time 55 minutes Year of Release 2022 In the style of a digital conference, Mon corps virtuel et mon double (My virtual body and my double) plunges us into the testimony of the artist Simon Senn who has the disturbing experience of embodying the digital replica of a female body thanks to virtual reality. Together with programmer Tammara Leites, he also creates an artificial intelligence powered by his own personal data and capable of writing. A film that reveals the unexpected entanglement between technology and human beings. Film director : Bruno Deville Production : Bastien Genoux Coproduction : Detours Films, RTS Radio Télévision Suisse, Théâtre Vidy-Lausanne, Compagnie Simon Senn With the support of : Fonds DE LA SCENE A L’ECRAN Partnership : TV5Monde. Based on the performances by Simon Senn About The Artist(s) Simon Senn is a Swiss artist. He works primarily with video and performance, exploring the effects of technology on human relationships. Bruno Deville, director and screenwriter, was born in 1976 in Ottignies, Belgium. Joint Swiss and Belgian citizenship. 1992 Receives degree from the Academy of Fine Arts in Wavre. 1995-2000 Attends ECAL (École Cantonale d'Art de Lausanne). 2000 Receives degree in directing from ECAL. 2004 Cofounder of Le Flair production company in Lausanne. Detours Film : Detours Films is a cinematographic approach to apprehending reality, soaking up life trajectories, questioning the political positioning of the contemporary world, or flirting with movement and matter. Words and encounters are the keystones of this visual, often documentary, approach. It's a way of highlighting the inner worlds of people who are atypical or at odds with established norms. Get in touch with the artist(s) a.luthier@vidy.ch , bastien.genoux@detoursfilms.ch and follow them on social media Simon Senn : http://www.simonsenn.com Detours Film : https://www.detoursfilms.ch Théâtre Vidy-Lausanne : https://vidy.ch/fr/production/ Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch next...II (Mali/Island) by Janne Gregor at the Segal Film Festival on Theatre and Performance 2024. In the film project next...II (Mali/Iceland) two dance artists in the diaspora enter into a dialogue through performative video letters; Charmene Pang and Kettly Noël. Kettly Noël, a Haitian, has built one of the most important dance centers in West Africa for over 20 years in Bamako. Charmene Pang, born in Geneva and raised in her Hong Kong family, dances in Erna Ómarsdóttir's company in Reykjavík. For both of them, drastic changes in their lives are imminent, which they discuss artistically. Their stories are always closely related to the continent on which they currently live, its landscapes, soil, layers of earth and climatic conditions, which could hardly be more different: One country shrinking, the other expanding - Earth plates drifting apart and the desert displacing. Movement, change of place and isolation. What does this mean for them and their relationship to the ground on which they move? What for their work as artists? What does the soil reveal about the land and what does it say about its culture? And what structures do they offer to find each other in dance in a digital exchange across continents? The Martin E. Segal Theater Center presents next...II (Mali/Island) At the Segal Theatre Film and Performance Festival 2024 A film by Janne Gregor Dance, Documentary, Performance Art, Other This film will be available to watch online on the festival website May 16th onwards for 3 weeks, as well as screened in-person on May 20th. About The Film Country Island, Mali, Germany Language English, French, Bambara Running Time 50 minutes Year of Release 2022 In the film project next...II (Mali/Iceland) two dance artists in the diaspora enter into a dialogue through performative video letters; Charmene Pang and Kettly Noël. Kettly Noël, a Haitian, has built one of the most important dance centers in West Africa for over 20 years in Bamako. Charmene Pang, born in Geneva and raised in her Hong Kong family, dances in Erna Ómarsdóttir's company in Reykjavík. For both of them, drastic changes in their lives are imminent, which they discuss artistically. Their stories are always closely related to the continent on which they currently live, its landscapes, soil, layers of earth and climatic conditions, which could hardly be more different: One country shrinking, the other expanding - Earth plates drifting apart and the desert displacing. Movement, change of place and isolation. What does this mean for them and their relationship to the ground on which they move? What for their work as artists? What does the soil reveal about the land and what does it say about its culture? And what structures do they offer to find each other in dance in a digital exchange across continents? Credits Artistic Direction: Janne Gregor, Artist Bamako: Kettly Noël, Artist Iceland: Charmene Pang, Camera Bamako: Salimata Tapily, Camera Iceland: Omra Harding, Music: Moritz Thorbeckebased on the song „Vex“ by Sigrún including Ngomi tracks played by Yacouba Sissoko and voice tracks by Sigrún, Editor + Advice: Lutz Gregor, Production: Sina Kießling, Iceland location scout: Dísa Hulda Árnadóttir, Revision Subtitles: Anke Nehrig, Nora Amin Thanks to Thomas Schaupp, Arnbjörg María Danielsen, Nah Kamaké, Erna Ómarsdóttir, Oumou Diarra, Nassiga Coulibaly dit Coumba, Kolo Traoré dit Tènin, Mariam M. Traoré, Mariam K. Traoré, Fatoumata Traoré, Maminata Traoré, Yaya Traoré, Boubacar Gakou, Djelika dit Mama Traoré, Amberscript, Anti Logic Mastering. Research Phase 2021/ 22: Created in the context of GOETHE MORPH* ICELAND, with the support of the Goethe-Institut. Project Realisation 2022: Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Minister of State for Culture and Media within the framework of the initiative NEUSTART KULTUR. Assistance Program for Dance. About The Artist(s) Janne Gregor born in Berlin, is a choreographer, performer and was a team member of the steering group of the dance mediation centre Berlin. She studied physical theatre and completed her MA Choreography at the Hochschulübergreifendes Zentrum Tanz Berlin – HZT in 2017. Her intergenerational and interdisciplinary works have been shown at various theatres since 2006: e.g. Nordic House Reykjavík/Iceland, Radialsystem, TD Berlin, Donko Seko Bamako/Mali, Houseclub des Hebbel am Ufer – HAU Berlin, LOFFT Leipzig, Junges Staatstheater Braunschweig…, Junges DT/Deutsches Theater, Schwankhalle Bremen, Fringe Festival/Ruhrfestspiele Recklinghausen, Orangerie Köln, Tanzfabrik, Tanzkomplizen, Theater o.N., Uferstudios Berlin. As a performer she has worked with, among others: Marina Abramovic, Joan Jonas, Micha Purucker, Willi Dorner, Kiriakos Hadjiioannou, Michael Vogel (Familie Flöz), Theater Duisburg, Theater Strahl Berlin, Consol Theater Gelsenkirchen, Jule Gruner (Schauspiel Dortmund). Get in touch with the artist(s) mail@jannegregor.de and follow them on social media www.jannegregor.de Facebook: Janne Gregor Instagram: Janne Gregor Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou

Watch Schlingensief – A Voice that Shook the Silence by Bettina Böhler at the Segal Film Festival on Theatre and Performance 2024. SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE focuses on Christoph Schlingensief as a “family person” (Schlingensief on Schlingensief) who dealt equally with his relationship to his parents and his relationship to Germany in his work. The film traces his development from pubescent filmmaker with an artistic bloodlust to revolutionary stage director in Berlin and Bayreuth, and, ultimately, to Germany’s “national artist”, who was purportedly venerated by all and invited to create the German Pavilion for the 2011 Venice Biennale. SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE explores Schlingensief’s untiring, and ultimately inexhaustible, love-hate relationship to Germany, to its high culture, and to its petite-bourgeoisie sentiments – which he attributed to himself more than anyone else – via scenes of East Germans being made into sausage, shouts of “Kill Helmut Kohl!” (documenta X) and an attempt to rehabilitate Wagner (PARSIFAL). The Martin E. Segal Theater Center presents Schlingensief – A Voice that Shook the Silence At the Segal Theatre Film and Performance Festival 2024 A film by Bettina Böhler Theater, Documentary, Film, Multimedia, Opera, Performance Art This film will be screened in-person on May 18th and also be available to watch online May 16th onwards for 3 weeks. About The Film Country Germany Language German with English subtitles Running Time 122 minutes Year of Release 2020 SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE focuses on Christoph Schlingensief as a “family person” (Schlingensief on Schlingensief) who dealt equally with his relationship to his parents and his relationship to Germany in his work. The film traces his development from pubescent filmmaker with an artistic bloodlust to revolutionary stage director in Berlin and Bayreuth, and, ultimately, to Germany’s “national artist”, who was purportedly venerated by all and invited to create the German Pavilion for the 2011 Venice Biennale. SCHLINGENSIEF – A VOICE THAT SHOOK THE SILENCE explores Schlingensief’s untiring, and ultimately inexhaustible, love-hate relationship to Germany, to its high culture, and to its petite-bourgeoisie sentiments – which he attributed to himself more than anyone else – via scenes of East Germans being made into sausage, shouts of “Kill Helmut Kohl!” (documenta X) and an attempt to rehabilitate Wagner (PARSIFAL). Director, Screenplay, Editor: Bettina Böhler / With: Christoph Schlingensief, Margit Carstensen, Irm Hermann, Volker Spengler, Alfred Edel, Udo Kier, Sophie Rois, Bernhard Schütz, Kerstin Grassmann, Helge Schneider, Dietrich Kuhlbrodt, Susanne Bredehöft, Tilda Swinton, Artur Albrecht, Achim von Paczenzky, Helga Stöwhase, Sebastian Rudolph a.o. / Script Counselling: Angelina Maccarone / Research and Assistant: Lydia Anemüller / Sound Design: Daniel Iribarren / Sound Mixer: Adrian Baumeister / Producer: Frieder Schlaich, Irene von Alberti / Produced by Filmgalerie 451 / In Coproduction with Rundfunk Berlin-Brandenburg (Rolf Bergmann) und Westdeutscher Rundfunk (Jutta Krug) / Founded by Die Beauftragte der Bundesregierung für Kultur und Medien, Medienboard Berlin-Brandenburg, Film- und Medienstiftung NRW, Deutscher Filmförderfonds About The Artist(s) BETTINA BÖHLER was born in Freiburg in 1960 and is one of Germany's premier film editors. She has edited over 80 feature films, documentaries and TV movies and has worked with Christian Petzold, Valeska Grisebach and other filmmakers of the Berlin School. She also has also long been associated with influential directors such as Christoph Schlingensief, Angelina Maccarone, Oskar Roehler and Margarethe von Trotta. She started her career in film at the age of 18 as an assistant editor and has been an editor since 1985. In 2007 Bettina Böhler was awarded the Bremer Filmpreis for Lifetime Achievement in European Cinema ("Bremen Film Award"). She was nominated for the Deutscher Filmpreis for Best Film Editing twice: in 2012 for her work on BARBARA (Christian Petzold) and in 2017 for WILD (Nicolette Krebitz). Bettina Böhler lectured at the Deutsche Film- und Fernsehakademie Berlin (DFFB). She is a member of the European Film Academy, the Akademie der Künste in Berlin and the Academy of Motion Picture Arts and Sciences. Get in touch with the artist(s) kino@filmgalerie451.de and follow them on social media https://www.filmgalerie451.de/en/films/schlingensief-voice-shook-the-silence# Find out all that’s happening at Segal Center Film Festival on Theatre and Performance (FTP) 2024 by following us on Facebook , Twitter , Instagram and YouTube See the full festival schedule here. "Nightshades" - Veronica Viper Ellen Callaghan Dancing Pina FLorian Heinzen-Ziob Genocide and Movements Andreia Beatriz, Hamilton Borges dos Santos, Luis Carlos de Alencar Living Objects in Black Jacqueline Wade ORESTEIA Carolin Mader Schlingensief – A Voice that Shook the Silence Bettina Böhler The Hamlet Syndrome Elwira Niewiera & Piotr Rosolowski Wo/我 Jiemin Yang "talk to us" Kirsten Burger Die Kinder der Toten Nature Theater of Oklahoma:Kelly Copper and Pavol Liska Hans-Thies Lehmann – Postdramatic Theater Christoph Rüter MUSE Pete O'Hare/Warehouse Films QUEENDOM Agniia Galdanova Snow White Dr.GoraParasit The Making of Pinocchio Cade & MacAskill Women of Theatre, New York Juney Smith BLOSSOMING - Des amandiers aux amandiers Karine Silla Perez & Stéphane Milon ELFRIEDE JELINEK - LANGUAGE UNLEASHED Claudia Müller I AM NOT OK Gabrielle Lansner Making of The Money Opera Amitesh Grover Red Day Besim Ugzmajli The Books of Jacob Krzysztof Garbaczewski The Roll Call:The Roots to Strange Fruit Jonathan McCrory / National Black Theatre/ All Arts/ Creative Doula next...II (Mali/Island) Janne Gregor Chinoiserie Redux Ping Chong Festival of the Body on the Road H! Newcomer “H” Sokerissa! Interstate Big Dance Theater / Bang on a Can Maria Klassenberg Magda Hueckel, Tomasz Śliwiński Revolution 21/ Rewolucja 21 Martyna Peszko and Teatr 21 The End Is Not What I Thought It Would Be Andrea Kleine The Utopians Michael Kliën and En Dynamei Conference of the Absent Rimini Protokoll (Haug / Kaegi / Wetzel) / Film By Expander Film (Lilli Kuschel and Stefan Korsinsky) GIANNI Budapesti Skizo, Theater Tri-Bühne Juggle & Hide (Seven Whatchamacallits in Search of a Director) Wichaya Artamat/ For What Theatre My virtual body and my double Simon Senn / Bruno Deville SWING AND SWAY Fernanda Pessoa and Chica Barbosa The Great Grand Greatness Awards Jo Hedegaard WHO IS EUGENIO BARBA Magdalene Remoundou